Zejtra Naporad (2014)

Willie Nelson - It Will Come To Pass: The Metaphysical Worlds And Poetic Introspections Of… (2014) {OMNI-179 rec 1965-1971}
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© 1965-71, 2014 RCA / Omni Recording Corporation | OMNI - 179
Country / Country-Pop / Outlaw Country / Progressive Country / Traditional Country

Every word of the winding title It Will Come to Pass: The Metaphysical Worlds and Poetic Introspections of Willie Nelson indicates that this 2014 Omni compilation is no standard Willie Nelson collection. As is its wont, Omni specializes in the Nashville netherworld that exists somewhere between Tennessee and Hollywood, a place Willie explored quite often in the '60s. Often when his story is told, it's implied there was no room for Nelson in Nashville during the '60s because he was too much of a rough outlaw, but this collection, drawn entirely from records he cut for RCA during that decade, plus a cut or two from the early '70s, illustrates how Willie didn't fit in because he'd descend into spooky, jazzy grooves or strum a 12-string just as often as he'd haul out the western swing.

Ray Bryant - Ray Bryant Trio (1956) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3973}
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© 1956, 2014 Epic / Sony Music Japan | SICP 3973 | Mono
Jazz / Bop / Soul Jazz / Piano

Reissue with latest remastering. Comes with liner notes. The first full album from the great Ray Bryant – recorded shortly after his famous Epic Records session with Betty Carter! The album's got Ray grooving in a hard early soul jazz mode – working in a trio with either Kenny Clarke or Osie Johnson on drums, and Wyatt Reuther on bass – at a level that still shows some influence from other pianists, but already with that unique hard-left style that would make Bryant a big favorite in short years to come. Candido joins in on congas on 2 of the album's best tracks – a hard grooving take on "Night In Tunisia", plus Ray's classic "Cubano Chant", a dancing Latin groover that went onto become an oft-recorded Latin Jazz standard – and other titles include "Pawn Ticket", "Philadelphia Bound", and "Off Shore".

Eddie Cano & His Quintet - Brought Back Live From P. J.'s (1967) {2014 Japan Rare Groove Funk Best Collection 1000 UCCU-90067}
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© 1967, 2014 Dunhill Records / Universal Music Japan | UCCU-90067
Jazz / Soul Jazz / Latin Jazz / Jazz Funk / Piano

Reissue with the latest remastering. Stunning stuff – and one of the best-ever Latin soul albums of all time! Despite the fact that Eddie Cano's earlier albums are more in a Latin easy mode, this late 60's side for Dunhill is totally smoking – and probably his greatest album ever! Forgive the superlatives, but we're totally serious on this one – as the set's a firey batch of Latin instrumentals, with a slammin' boogaloo groove all the way through – filled with mad percussion, jazzy piano riffs, and a non-stop groove that's totally great. The set was recorded live at PJ's nightclub, and it's a non-stop Latin Soul party that includes massive originals like "Slip Slip", "Brown & Blue", "Miro Como Es", and "Don't Ever Change" – plus smoking covers of "El Pito" and "Louie Louie". The set screams with excitement, and is as great as the album is rare!

Jimmy Raney - A (1955) {2014 Japan Prestige 7000 Chronicle SHM-CD HR Cutting Series UCCO-5289}
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© 1955, 2014 Prestige / Concord / Universal Japan | UCCO-5289 | Mono | PRLP 7089
Jazz / Cool / Guitar

Reissue features the latest DSD / HR Cutting remastering and the high-fidelity SHM-CD format (compatible with standard CD player). Comes with a description. Features the original LP designs. Jimmy Raney leads two separate groups on this OJC reissue CD, both recorded during the mid-'50s. The first session finds the leader experimenting with overdubbing a second guitar line over his introduction and closing during all four pieces, including the very exciting "Minor" (which is based on the chord changes to "Bernie's Tune"), "Double Image" (inspired by "There Will Never be Another You"), plus some wild improvised counterpoint between Raney and pianist Hall Overton in "On the Square" and an intricate rendition of the ballad "Some Other Spring."

Duke Ellington - Jazz At The Plaza, Vol. II (1958) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4243}
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© 1958, 2014 Columbia / Sony Music Japan | SICP 4243 | DSD remaster
Jazz / Big Band

Reissue with latest 2014 DSD remastering. Comes with liner notes. Jazz at the Plaza Vol. II is a live album by American pianist, composer and bandleader Duke Ellington recorded in 1958 at a party for Columbia Records and released on the label in 1973. The Miles Davis Sextet was also recorded at the same event and released as the first volume of Jazz at the Plaza. An intimate live session from Duke Ellington and his great late 50s orchestra – presented here at a private party hosted by Columbia Records at the Plaza Hotel in New York – at a time when Ellington was making some of his best music for the label! The tracks here are every bit on a par with Duke's late 50s gems for Columbia – and have the orchestra stepping out strongly on short numbers that maybe have a bit more swing and a bit less overall concept – as the soloist shift, and shine nicely on each tune!

Art Blakey's Jazz Messengers - Play Lerner And Loewe (1957) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4027}
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© 1957, 2014 Columbia / Sony Music Japan | SICP 4027
Jazz / Bop / Hard Bop

Reissue with the latest 2014 DSD remastering. Comes with liner notes. The music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – but it cooks strongly with a lineup that includes Jackie McLean on alto, Johnny Griffin on tenor, and Bill Hardman on trumpet – all players who bring an unusual degree of bite to these tunes, while still reflecting the lyrical beauty within!

Charlie Parker - One Night In Birdland (1950) {2014 2CD Set Japan Jazz Collection 1000 Columbia-RCA Series SICP 4031~2}
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© 1950, 2014 Columbia / Sony Music Japan | SICP 4031~2
Jazz / Bop / Saxophone

Reissue with latest 2014 DSD remastering. Comes with liner notes. Rare live material from Charlie Parker – recorded in the very familiar territory of the Birdland nightclub, but not issued until an LP release from the 70s! The material originally was broadcast on radio, but through the series of the Rose transcription disc archive – which meant better recording and preservation than most other radio material of the bop years – helping to make this album a real treasure among Bird fans in the years after his death.

The Australian Jazz Quartet - The Australian Jazz Quartet/Quintet (1956) {2014 Japan Bethlehem Album Collection 1000 CDSOL-6140}
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© 1956, 2014 Solid Records / Bethlehem | CDSOL-6140 | LP BCP-6002
Jazz / Cool / Vibes / Flute

Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. Forget the hokey kangaroo picture on the cover, because the record's a mighty sweet set of 50s modern jazz – played by some key musicians from Australian who were working in the US at the time! The record's got a style that's somewhere between the hippest sessions of LA and Sweden at the time – all the coolness of both scenes, but a sense of playful expression that really comes through on some of the more unusual passages. The core group features Errol Buddle and Dick Healey on reeds, Bryce Rhode on piano, and Jack Brokensha on vibes – with added work from John Fawcett or Jimmy Gannon on bass, and Nick Stabulas on drums. Titles include "Loose Walk", "Like Someone In Love", "Music For Walkin", "Fascinating Rhythm", "A Foggy Day", and "Little Girl Blue".