The career of the young Russian pianist Pavel Kolesnikov has taken off since he won the Honens Prize in 2012. He issued a live recording and then a fine album of Tchaikovsky pieces that, while pleasures all, are not really everyday items. With this set of 24 of Chopin's 58 mazurkas, he makes what might be regarded as his debut in mainstream repertory. Twisting and turning the slightly tense rhythm of the Polish folk dance in a dozen different directions, they're an excellent pick for Kolesnikov's deliberate yet playful style. Kolesnikov observes all of Chopin's repeats, daring the listener to find them tedious and delivering with readings that diverge in small but telling details from the first time through. It's in the small details that Kolesnikov excels. The temperature of the entire recording is low, and Hyperion's engineers set just the right level at their favorite venue for this kind of recital, the Wyastone Estate concert hall. But the listener is drawn into Kolesnikov's unique handling of the unusual technical devices in which these pieces abound.
What little is known of Pietro Migali’s life has been deduced from his will, which gives us his likely dates and some biographical information, as well as from his only extant publication, the Trio Sonatas, Op. 1. Probably born around 1635 and deceased after the will's date of 1715, Migali was a native of the southern Italian city of Lecce, though his musical education is thought to have taken him to Naples or Rome. His role as Maestro di Capella is known from the sonatas' title page, though there is no other information about his career or other works. Yet the high quality of his compositions is evident from this 2017 release by Ensemble BariAntiquA, and judging from the inventiveness of his music, Migali must have mastered his craft through other compositions and assiduous study.
There is No More Firmament is a remarkable collection of recent compositions from 2013–2016 that showcase the range, variety and continued creativity of Zorn as he enters his sixties. Connected together with a thread of intensity, magic and madness, the music tells a twisted and complex story of a magical descent into madness. The compositions include two works for brass ensembles, a woodwind quintet, jazz piano trio, string trio and two solo pieces for clarinet and trumpet, with the outrageous trumpet solo Merlin appearing in two realizations—one by jazz master Peter Evans and another by the European classical virtuoso Marco Blaauw.
In addition to their still ongoing successful "Back To The Roots" Tour, DIRKSCHNEIDER released "LIVE - Back To The Roots - Accepted!" on August 4th (EU) / August 18th (USA) as DVD/2CD, BluRay/2CD and Gtf. Triple Vinyl in two different colors. After putting out the live double CD last year, fans were asking for a visual output, so finally, in December 2016, the show in Brno (Czech Republic) was recorded for that purpose. Besides many classics from Udo Dirkscheider's Accept era, there's a cover version of Frank Sinatra's "My Way" as bonus track on the CD and Vinyl. The singer with the charismatic voice had his musical breakthrough with ACCEPT in the early 80s. "It's still so much fun to sing these songs live, they are a part of my biography, but nevertheless it's about time to turn that page. There was so much talking and speculations about me and ACCEPT, so this is kind of a musical statement from my end - which seems to be very interesting for the fans who came to these shows."