a Yat Sat Sone Anann

Eddie Pedak, a convicted criminal, has a steady job, a wife and daughter and he puts a down payment on a boat. He also has a police detective and brother after him, the first believes Eddie shot him, the second wants him for one last heist.

In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military. With his friends, loved ones, and the future of China itself at stake, Wong must once again use his martial arts skills to defend the innocent.

In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military. With his friends, loved ones, and the future of China itself at stake, Wong must once again use his martial arts skills to defend the innocent.

Director: Hark Tsui
In the sequel to the Tsui Hark classic, Wong Fei-Hung faces The White Lotus society, a fanatical cult seeking to drive the Europeans out of China through violence, even attacking Chinese who follow Western ways. Wong must also defend Dr. Sun Yat Sen, a revolutionary, from the military. With his friends, loved ones, and the future of China itself at stake, Wong must once again use his martial arts skills to defend the innocent.

The Northern Iran winters are so cold that the Kurdish smugglers who live there feed their mules alcohol so that they will carry loads over the mountain passes. In this world of high-risk border crossings and death by land mine, a fatherless young boy named Ayoub scrapes out a living doing odd tasks, supporting his sisters and crippled brother. This may seem like a recipe for seventy-seven minutes of misery, but the director Bahman Ghobadi's affection for his subjects gives the film a certain lightness. He takes the raw materials of his homeland-the harsh landscape, communal rooms, and lambent-eyed children-and fashions a visual poem. Ghobadi documents his subjects without intruding, and the results are quietly enthralling.

Based on Harper Lee's Pulitzer Prize winning book of 1961. Atticus Finch is a lawyer in a racially divided Alabama town in the 1930s. He agrees to defend a young black man who is accused of raping a white woman. Many of the townspeople try to get Atticus to pull out of the trial, but he decides to go ahead. How will the trial turn out - and will it change any of the racial tension in the town ?

Hitman Dekker is on his last job, out to kill the wife (Jain) of his client, but he starts to waver. The longer he takes to do the job, the more difficult it becomes.

Jago tells the story of an 80 year old sea nomad called Rohani who has spent his life plying the waters of South East Asia’s Coral Triangle. The story is told entirely from Rohani’s perspective, against the spectacular backdrop of the Togian Islands, and recreates events that capture the turning points in his life, as a hunter and as a man. We were able to bring Rohani’s past experiences to life by working closely with his family and friends in the village where he grew up. These are the people you see representing Rohani in the film at various stages in his life.