Aaron Lordson

Lee Aaron, formerly known as Karen Greening, was Canada's self-proclaimed 'Metal Queen'. She was one of the first women to have a successful solo career in heavy metal music. In the late 1980's, her sound became less heavy and more commercial. In 1996, she formed the alternative rock band 2preciious, changing her name back to Karen…

Schumann composed Kreisleriana in April 1838, at the age of 27: “The youthful thing that I can identify with in Kreisleriana is its spontaneity", writes pianist Aaron Pilsan. "If I had to describe the piece, I would use the German word for crazy, ‘verrückt’, which doesn’t just mean crazy, but also to be disconnected from reality. So, crazy, imaginative and intimate… There is a huge connection between these two German composers, as Jörg Widmann was inspired by Schumann’s music a lot and even his musical language is very similar, even though their styles are obviously very different. The starting point for Widmann’s music is from feelings, from the emotions and sentiments and that is where there is a similarity, but not only there. He even quotes Robert Schumann in his tenth Humoreske, taking a bar directly from Schumann’s Geistervariationen."

Aaron Sachs was an American jazz saxophone and clarinet player. He released a few LPs in the '50s and worked with a number of well-known jazz artists such as Benny Goodman, Sarah Vaughan, Earl Hines, Red Norvo, Anita O'Day and Dizzy Gillespie.
Aaron Sachs: "I wanted to bring to this album a new kind of spirit, a combination of moods, a contrast of arrangements. The first two recording dates were comprised of eight men. Two trumpets, one trombone, two saxophones and three rhythm, drum, bass and piano. The third recording date had five men, using guitar, clarinet, piano, bass and drums. The last date included all of my original compositions with the exception of "Nancy", which Frank Sinatra takes credit for…

The combination of jazz and guitar, whether in a group setting or duo, has frequently been associated with swing. This stretches back further than Django Reinhardt and Stéphane Grappelli to players like guitarist Eddie Lang and violist Joe Venuti in the 1920s; the tradition, however, also moves forward in time, including work by Stuff Smith with guitarist Herb Ellis in 1963 and numerous recordings by groups put together by Tony Rice and David Grisman beginning in the '70s. Despite the long history, the guitar/fiddle combination is nonetheless a rare one in jazz, which makes the issue of Blue Too by guitarist John Pizzarelli and violinist Aaron Weinstein a real treat.

Bodyrock is the fifth studio album by singer Lee Aaron, released on 13 September 1989 through Attic Records (Europe and North America) and Alfa Records (Japan). The album is Aaron's most successful and highest-charting release to date, reaching No. 32 on the Canadian albums chart and No. 36 on the German albums chart Both of its singles also charted: "Whatcha Do to My Body" reached No. 25 on the Canadian singles chart and "Hands On" reached No. 38…

18 Albums into her career, Aaron has written, recorded and produced music achieving gold and multi-platinum sales. Recognised as one of Canada’s top rock vocalists she’s also made forays into jazz, blues, and even opera, receiving numerous awards and accolades and most recently, a 2023 induction into Canada’s Walk of Fame.
Taking a nostalgic journey, Tattoo Me pays homage to musical trailblazers who helped shape her own artistic path. As a reflection of her eclectic taste, yet in keeping with a profound respect for the greats, these 11 tracks are a unique tapestry of influences tending to transcend era and genre…