Aaron Strumann

Aaron Pilsan is only twenty-five years old, but he already has a busy career to his credit, with a solo album devoted to Beethovenand Schubert - very well received by the critics - and another of duo repertory with the cellist Kian Soltani. A student of Lars Vogt, he has also received guidance from András Schiff - Bach has always been at the centre of their work together. The young Austrian pianist has been fascinated since childhood by The Well-Tempered Clavier, ‘that musical journey on which Bach embarks with us in Book One: from the seemingly simple and joyful triad of the famous Prelude in C major to the final fugue, of a complexity almost worthy of Schoenberg, on a subject that already includes the twelve semitones of the chromatic scale…

The so-called Canadian metal queen makes a left turn on this self-titled release, a reinvention to show off her vocal talents without the normal hard rock thudding. And it's refreshing, showcasing the best songwriting and strongest music of her career…

"Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that's creativity."

Schumann composed Kreisleriana in April 1838, at the age of 27: “The youthful thing that I can identify with in Kreisleriana is its spontaneity", writes pianist Aaron Pilsan. "If I had to describe the piece, I would use the German word for crazy, ‘verrückt’, which doesn’t just mean crazy, but also to be disconnected from reality. So, crazy, imaginative and intimate… There is a huge connection between these two German composers, as Jörg Widmann was inspired by Schumann’s music a lot and even his musical language is very similar, even though their styles are obviously very different. The starting point for Widmann’s music is from feelings, from the emotions and sentiments and that is where there is a similarity, but not only there. He even quotes Robert Schumann in his tenth Humoreske, taking a bar directly from Schumann’s Geistervariationen."

This is multi-platinum Canadian music icon Lee Aaron's first official live album: Power, Soul, and Rock N Roll - Live in Germany!The CD-DVD set features a career-spanning set that highlights the vocal power, hit song-craft and dynamic stage presence that has defined Lee Aaron as one of the world's great rock n roll performers. Recorded live over 2 nights on the Fire and Gasoline German tour, 'Power, Soul, and Rock N Roll' captures both the intimate setting of a packed music hall in Nuremberg, as well as her killer open-air performance in 2017 for 20,000 fans at the famed Bang Your Head festival, Balingen…

Aaron Neville's Soulful Christmas is at once familiar yet progressive, traditional, prayerful, heartfelt, fun, and sexy. Neville lends his angelic voice to timeless holiday standards, resulting in one of the more compelling American holiday albums of the 1990s. Neville's treatment of classics such as "O Holy Night," "Silent Night," and "O Little Town of Bethlehem" is absolutely stirring, and he infuses these lullabies with so much warmth and sincerity that they can even touch the hardest, most cynical audiences. Neville also covers more contemporary tunes, such as "Please Come Home for Christmas," and augments his warm renditions of "The Christmas Song" and "White Christmas" with classic pop arrangements, filled with lush strings, piano, and even saxophone.

Lee Aaron, formerly known as Karen Greening, was Canada's self-proclaimed 'Metal Queen'. She was one of the first women to have a successful solo career in heavy metal music. In the late 1980's, her sound became less heavy and more commercial. In 1996, she formed the alternative rock band 2preciious, changing her name back to Karen…

Lee Aaron, formerly known as Karen Greening, was Canada's self-proclaimed 'Metal Queen'. She was one of the first women to have a successful solo career in heavy metal music. In the late 1980's, her sound became less heavy and more commercial. In 1996, she formed the alternative rock band 2preciious, changing her name back to Karen…

The combination of jazz and guitar, whether in a group setting or duo, has frequently been associated with swing. This stretches back further than Django Reinhardt and Stéphane Grappelli to players like guitarist Eddie Lang and violist Joe Venuti in the 1920s; the tradition, however, also moves forward in time, including work by Stuff Smith with guitarist Herb Ellis in 1963 and numerous recordings by groups put together by Tony Rice and David Grisman beginning in the '70s. Despite the long history, the guitar/fiddle combination is nonetheless a rare one in jazz, which makes the issue of Blue Too by guitarist John Pizzarelli and violinist Aaron Weinstein a real treat.