Abaa Pater

Ludwig Daser’s life and work encompassed both Catholic and Lutheran courts, at Munich and Stuttgart respectively. Cinquecento’s programme—which, besides the substantial Missa Pater noster, includes a selection of Latin motets and German chorale settings—illustrates a variety of styles and genres from both, offering a welcome introduction to this lesser-known master from the sixteenth century.

Czech Ensemble Baroque's first recording dedicated to František Ignác Antonín Tůma (Requiem, Miserere) confirmed his firm position among Europe's major late-Baroque composers. A pupil of the renowned Viennese master J. J. Fux, his music is characterised by immaculate refined counterpoint, yet he also embraced and brought to bear elements of the incipient Galant style. Dating from three different phases of his life, the three pieces featured on the present album map Tůma's artistic development. The grandiose Missa Veni Pater Pauperum, written in 1736 for the Schottenstift, a Benedictine abbey in Vienna, is from the time when he served Count Franz Ferdinand Kinsky, who had provided him with a thorough education.

Ludwig Daser's life and work encompassed both Catholic and Lutheran courts, at Munich and Stuttgart respectively. Cinquecento's program-which, besides the substantial Missa Pater noster, includes a selection of Latin motets and German chorale settings-illustrates a variety of styles and genres from both, offering a welcome introduction to this lesser-known master from the sixteenth century.