This live date from the titular Nagoya venue reveals the mellow side of Japanese free jazz. That could seem unlikely when considering the lead name, guitarist Masayuki Takayanagi, a maverick follower of Lennie Tristano who later turned to total freak-outs and noise, partnering with the likes of outsider saxophonist Kaoru Abe. Recorded nine months before his death 30 years ago this month, the concert finds him in the company of regular collaborator bassist Nobuyoshi Ino, plus celebrated pianist Masabumi Kikuchi, who died in 2015, sitting in during a trip home from his long sojourn in the U.S. Kikuchi, who worked with Miles Davis, Gil Evans, Dave Liebman and Joe Henderson, as well as a cooperative trio with Gary Peacock and Paul Motian, exerts a pull towards the tradition.
Axis/Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April is the cruellest month, a 1975 studio record by his New Direction Unit. Comprised of recordings of a September 5, 1975 concert by the New Direction Unit at Yasuda Seimei Hall in Tokyo’s Shinjuku district, the two-part set showcases Takayanagi in deep pursuit of what he began calling “non-section music” after leaping beyond the confines of his prior descriptor “real jazz.”
"Hit Parade of Tears" is an album inspired by the short stories of Japanese author Izumi Suzuki, married to musician Kaoru Abe, who tragically ended her life at the age of 36. Suzuki's wholly original short stories paved the way for the science fiction genre and in many ways predicted the cyberpunk movement. Ikue Mori and Zeena Parkins have created a beautiful and mysterious collection of musical miniatures that reference Suzuki's sensibility with remarkable feeling and compassion. A touching tribute to a powerful creative woman by two powerful creative women.