Abeka Book

There is a clear attempt in this recording to make a difference or to be noted for being different. Bible to us, not in the note-by-note Latin of Hewitt of Perahia, but in the blazing vernacular. This is highest music of High Baroque played by Akiko Kuwagata.

After the success of her Goldberg Variations and a disc devoted to Rameau’s harpsichord pieces, Céline Frisch, harpsichordist and co-founder of the Café Zimmermann ensemble, returns to the recital with a programme devoted entirely to Johann Sebastian Bach’s Well-Tempered Clavier. For this recording, Céline Frisch draws on her ‘bedside’ music. She thus reminds us that, beyond an exercise for advancing his technique (and we are well familiar with Bach’s strictness in this art), The Well-Tempered Clavier is also a work of pure pleasure, like a constant rediscovery: a landscape that one never tires of admiring.

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