Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Inspired by a UK bankcard ad and daring to encroach on the shadow of the Austin Powers franchise, this Bond film satire may well end up as The Spoof That Got Left in the Cold. But in perfect contrast to star Rowan Atkinson's broad physical humor, composer Edward Shearmur delivers a deliciously deadpan musical score that skewers the 007 canon from twangy-guitar main theme to romantic Euro interludes and action-packed chases. Anchored by Robbie Williams' suitably earnest mock Bond-song "A Man For All Seasons" and seasoned with evocative tracks of Moloko's electronica and the suitably named Bond's classics-meets-worldbeat sensibilities, Shearmur's score brings it all to a satisfying conclusion on "Agent No. 1," where the former Pink Floyd/Shakespeare's Sister sideman showcases his own considerable synth and keyboard skills.
Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Barbirolli made later recordings of all the works on this CD and these have become cornerstones of the catalogue. These are earlier recordings that he did with his own orchestra, the Halle, in the 1950s. To start with, the recording quality is pretty amazing. They were recorded on 35mm film tape rather than half inch recording tape by the Mercury team and have astonishing immediacy and amazingly lifelike. Barbirolli uses an organ in the finale of the Enigma Variations. The recording is a little bass heavy but this is a small caveat. For people who consider Barbirolli to be a bit indulgent as a conductor, these recordings may come as a surprise. The performances are very direct and nicely flowing. They therefore complement rather than compete with the later recordings. Of course, Barbirolli's later recording of the Cello Concerto with Jacqueline du Pre is a very famous and special rendition of the work. However, it is not without its detractors. Andre Navarra, by contrast, plays with golden tone. He plays gorgeously. Highly recommended.
Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.
Piggybacking on 1992’s Invisible Storm, ECM maverick Edward Vesala returned with his organic collective, Sound & Fury, as our guide for Nordic Gallery. Vesala draws a thinner circle around his ensemble this time around, weaving inside it a dreamcatcher for communal freedom, as exemplified in the 11-minute “Bird In The High Room,” a menagerie of cymbals, muted horns, drums, and birdsong. The latter signals a luxuriant indulgence in the Vesala soundscape as winds and wings fall in line like a panel out of Where the Wild Things Are. Even the electric guitar whistles in its sibilant cage, avian heart unfolded. Field recordings continue to leave breadcrumb trail of “Fulflandia” on its way toward “The Quay of Meditative Future.” Harpist Iro Haarla’s veiled and omnipresent insistence turns arrival into departure as the music’s long-shadowed caravan cuts a line in the sand.