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Rock & roll music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the blues and rhythm & blues artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the rock & roll idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before rock & roll had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called rock & roll…

The year was 1947: World War II was over and there was music in the air, with Frank Sinatra making teenagers swoon. On other airways, primarily black radio stations, another, earthier music was being played which would become the foundation for what is now called rock & roll. Back then it was called the blues and rhythm & blues, and its voices had names like Wynonie Harris, Willie Dixon, and Sister Rosetta Tharpe. Among its musicians were Big Bill Broonzy, Hosea Sapp, and Thunder Smith. This CD is part of a series that chronicles the history of this music that was to have such an impact on rock & roll. This volume collects some of the great hits of 1947, when many baby boomers were born, who would go on to become the major supporters of the idiom…

In the Roots of Rock N' Roll series, this volume covers 1951, a year flowing with lively, rhythmic and humorous master-pieces - all the ingredients for pure Rock 'n' Roll. Fats Domino, Tennessee Ernie Ford and Wynonie Harris are still around. But they have to make room for the newcomers who are to add spice to Rock 'n' Roll - Little Richard, Bill Haley. Big Mama Thornton…

This is the eighth (and last) volume in a series of double-disc anthologies from French label Fremeaux Records that chronicles the years that led up to the birth of rock & roll. While the magic year of 1954 is usually accepted as the dawn of the rock & roll age, the whole matter has always generated a good deal of debate, and this installment in the Fremeaux series only muddies the waters, since the year it covers, 1952, shows things rocking along pretty well. One could argue that some of the tracks here, like Wally Mercer's wonderful "Rock Around the Clock," are really just speeded-up R&B, and technically, that's probably so, but there's no denying that something resembling the rock & roll attitude is already in full swing in 1952…

USE YOUR ILLUSION I 2CD Deluxe Edition presents the album remastered for first-time ever on CD1. UYI I now features “November Rain” with a real 50-piece orchestra for the first-time ever – newly recorded, conducted & arranged by Grammy Award winner & Emmy Award nominated composer Christopher Lennertz. CD2 features 13 unreleased live tracks from London, Paris, Rio de Janeiro, New York & Las Vegas on the UYI 1991/1992 tour all newly mixed. Expanded artwork with unreleased photos & images.

USE YOUR ILLUSION II 2CD Deluxe Edition presents the album remastered for first-time ever on CD1. CD2 features 13 unreleased live tracks from London, Paris, Rio de Janeiro, New York & Las Vegas on the UYI 1991/1992 tour all newly mixed. Special guest appearances by Steven Tyler & Joe Perry on two tracks. Expanded artwork with unreleased photos & images.

Elvis Presley, Chuck Berry, Fats Domino, Johnny Cash, Chris Montez, Roy Orbison, The Platters, The Clovers and many others.

It's truly a marvel the impact that travel, locale, and hallucinogenic drugs can have on talented young musicians. The Navarros were a band from the sleepy town of Medford, Oregon, specializing in R&B and surf material, who decided to pay a visit to San Francisco in the summer of 1967. While they only planned to hang out for a few days, they ended up diving head first into the local hippie scene, and leader Rick Bolz started a new band with a handful of local players who shared his new taste for psychedelia. He called the band Neighb'rhood Childr'n, and their sole album, released in 1968, suggests a mid-point between classic San Francisco psychedelic rock and the poppier constructs of acts like the Turtles and the Beau Brummels…