Adam Fischer, Mahler Symphony No.3

For the third installment in Adam Fischer's Mahler cycle on CAvi-music, he leads the Düsseldorf Symphony in a straightforward and polished presentation of the Symphony No. 1 in D major, assembled from several concert recordings in February 2017. This 2018 release offers a nearly flawless version of one of Mahler's most popular symphonies, and Fischer prudently avoids any anachronistic associations with the symphony's earlier form as a symphonic poem.

Adam Fischer writes: In the Düsseldorf Tonhalle in late February and early March 2020, we gave Mahler’s Sixth Symphony in three live concert performances which we recorded for this album. This date in the calendar had special significance: the first lockdown period due to the Corona pandemic set in immediately thereafter. The orchestra was playing in full line-up in front of a full house for the last time for a long while. The mood was ominous: we all felt something was amiss, and the next day everything had to be cancelled. We strongly associate those circumstances with our work on the Sixth, and with the foreboding we felt of a catastrophe that has since ruined the livelihoods of many musician colleagues and deprived us all of a meaningful period in our lives.

Adam Fischer was born into a family of conductors. His father Sándor Fischer conducted the Budapest Radio Orchestra. His brother Iván, and a cousin, György, are also conductors. The Fischers lived across the street from the Budapest Opera House, and he attended his first concert at the age of five. When Haydn's "Surprise" Symphony was played, he decided to be a conductor so he could make the audience jump. He made his conducting debut at the age of 7, leading an ensemble of children playing toy instruments and singing.