Adele Abbott Susan

In the year 1870, a horrible plague of vampires swept over the northern regions of the world. Millions of humans were killed outright. Millions more died of disease and famine due to the havoc that followed. Within two years, once great cities were shrouded by the grey empire of the vampire clans. Human refugees fled south to the tropics because vampires could not tolerate the constant heat there.

Luke Abbott has today announced his first solo record in six years ‘Translate’ will be released on 30 October via Border Community. Along with the announcement he has shared Kagen Sound, the album’s richly textured opener – menacingly driving but punctuated with endearing flourishes, it’s an assured and impossible-to-ignore return.

"A joyous blast of rollicking rock'n'roll" - Classic Rock "The open-hearted emotional clout of Randy Newman" - Mojo "Top-notch songwriting" - Evening Telegraph Fred Abbott is joined by a band of vocalists for his second post-Noah And The Whale "solo" album.

25 is the third studio album by English singer-songwriter Adele, released on 20 November 2015 by XL Recordings and Columbia Records. The album is titled as a reflection of her life and frame of mind at 25 years old and is termed a "make-up record". Its lyrical content features themes of Adele "yearning for her old self, her nostalgia", and "melancholia about the passage of time" according to an interview with the singer by Rolling Stone, as well as themes of motherhood and regret. In contrast to Adele's previous works, the production of 25 incorporated the use of electronic elements and creative rhythmic patterns, with elements of 1980s R&B and organs. Like when recording 21, Adele worked with producer and songwriter Paul Epworth and Ryan Tedder, along with new collaborations with Max Martin and Shellback, Greg Kurstin, Danger Mouse, the Smeezingtons, Samuel Dixon, and Tobias Jesso Jr.

25 is the third studio album by English singer-songwriter Adele, released on 20 November 2015 by XL Recordings and Columbia Records. The album is titled as a reflection of her life and frame of mind at 25 years old and is termed a "make-up record". Its lyrical content features themes of Adele "yearning for her old self, her nostalgia", and "melancholia about the passage of time" according to an interview with the singer by Rolling Stone, as well as themes of motherhood and regret. In contrast to Adele's previous works, the production of 25 incorporated the use of electronic elements and creative rhythmic patterns, with elements of 1980s R&B and organs. Like when recording 21, Adele worked with producer and songwriter Paul Epworth and Ryan Tedder, along with new collaborations with Max Martin and Shellback, Greg Kurstin, Danger Mouse, the Smeezingtons, Samuel Dixon, and Tobias Jesso Jr.

19 is the debut studio album by English singer-songwriter Adele released on 28 January 2008, by XL Recordings. Following Adele's graduation from the BRIT School in April 2006, she began publishing songs and recorded a three-song demo for a class project and gave it to a friend, who posted the demo on Myspace, where it became very successful and led to interest from the record label.

21 is the eagerly awaited sophomore album from British singer-songwriter Adele. It’s the follow up to Adele’s critically acclaimed, Grammy award winning debut album 19 (both named after her age at the time the songs were written).

A Lille l'adolescente Adele intraprende il percorso della scoperta di sé dopo un fugace incontro con Emma, artista dai capelli blu. Lasciato il proprio ragazzo, ritrova Emma in un bar gay e instaura con lei un'amicizia che presto si trasforma in amore.

Paul Heaton & Jacqui Abbott third album ‘Crooked Calypso’ boasts all the hallmarks of Heaton’s peerless songwriting: songs buoyant with melody, and redolent with biting wit, but also real emotion. Opening track ‘I Gotta Praise’, a euphoric secular Gospel anthem, raises the roof and opens the record in style. ‘The Lord Is A White Con’, meanwhile, considers religion as an exploitative tool of empire builders, while ‘She Got The Garden’ is the wittiest divorce song since ‘D-I-V-O-R-C-E’. And then there is ‘Blackwater Banks’, a gorgeous Irish waltz that the Dubliners would be proud to call their own.