Adelin Albert

This 1974 release has King using his upside-down Flying V to slash a blues path through the Memphis Horns, the Memphis Symphony Orchestra, and the dawn-of-disco funk rhythm players. He half-sings with one eye on B. B. King and Bobby Bland and the other fixed on hot-buttered soul crooner Isaac Hayes. "Crosscut Saw" best captures the album title, with the leader and astounding drummer, Al Jackson, charbroiling a song the two had soul basted back in the mid 1960s with Booker T. Jones.

Heinrich Albert (1604-1651) - Musikalische Kürbishütte
Cantus Cölln / Konrad Junghänel, lute & direction
EAC+LOG+CUE | FLAC: 256 MB | Full Artwork: 167 MB | 5% Recovery Info
Label/Cat#: Deutsche Harmonia Mundi # HMIOM 906-2 | Country/Year: Germany 1990
Genre: Classical | Style: Renaissance, Baroque, Secular, Vocal

"Heinrich Albert was a German composer and poet of the 17th century. He was a member of the Königsberg Poetic Society (Königsberger Dichterkreis). As a song composer, he was strongly influenced by Heinrich Schütz. (…) The poets would convene at the Kürbishütte, an arbor in Albert's garden, where the Linde dyke flows into the river Pregel. The council of Kneiphof had given the garden as a present to the organist in 1630. In his garden, Albert grew pumpkins and gourds, and the friends would carve their bucolic noms de plume into the gourds…"

For decades, rumors have circulated among Creedence Clearwater Revival’s fans about a long-lost recording of their legendary 1970 show at London’s Royal Albert Hall. Today, the long-fabled performance is available in its entirety on multiple formats (available below) as Creedence Clearwater Revival at the Royal Albert Hall. Coinciding with the album release, the new documentary concert film, Travelin’ Band: Creedence Clearwater Revival at the Royal Albert Hall, is available now streaming on Netflix.