Adrienne Lecter

L'enfance d'Hannibal Lecter, le cannibale du Silence des agneaux, est marquée par un drame. En 1945, en Lituanie, il est encore tout jeune garçon lorsqu'il assiste au massacre de sa famille et de sa petite soeur par les nazis. Son oncle le recueille et l'emmène à Paris où il devient le plus jeune étudiant admis en faculté de médecine. Mais des démons intérieurs le tourmentent. …

Jan Ladislav Dussek was an important composer of music for the modern piano, bridging the Classical and Romantic eras, yet most of his music is hard to find, both in performance and in print. This disc by Adrienne Soós and Ivo Haag is the first recording of four of his works for piano, four hands, and it demonstrates Dussek's thorough understanding of the piano. In the three sonatas and set of three fugues, one can hear just why his writing is often compared to that of later composers Beethoven and Schubert. In general, Dussek's writing is richer in texture and feeling than most Classical keyboard music, and it sounds completely idiomatic to the instrument. He was one of the first composers to use pedal markings, and he carefully used modulation, relating specific keys to moods. All of this is here. These sonatas have melodies that are almost Schubertian and developments that are Beethoven-like.