Afro Disia

Strut continue their essential work with the “Godfather Of Ethio Jazz”, Mulatu Astatke, with the first official reissues of his early classics ‘Afro Latin Soul’ Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet.

Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists…

Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists…

GRAMMY-winning composer, bandleader, and pianist Arturo O’Farrill has fulfilled what he calls “a lifelong dream” with his signing to Blue Note Records and the release of his Blue Note debut …dreaming in lions… The album finds O’Farrill leading a colorful 10-piece assemblage he calls The Afro-Latin Jazz Ensemble, a scaled-down edition of his renowned Afro-Latin Jazz Orchestra. The program encompasses two inspired multi-movement suites that O’Farrill has conceived in collaboration with the Cuban Malpaso Dance Company: “Despedida,” a meditation on farewells, and “Dreaming in Lions,” inspired by Ernest Hemingway’s novella The Old Man and the Sea.

The selections contained in the Chicago Afro-Latin Jazz Ensemble's fine Blueprints are wonderfully reminiscent of a musical recipe that simmers slowly and then bursts into a fiery buffet. This is a marvelously entertaining offering by a group of outstanding musicians, writers and arrangers. Forget the designations "Latin" and "jazz." This is outstanding, high-energy music. The recipe here is exclusively spicy Latin with wonderful, generous dollops of inventive, hard jazz playing across the board. While the Latin (and one reggae) grooves might sound familiar, it's the playing and exciting soloing over those rhythmic/harmonic structural underpinnings that blow white-hot. There's an air of machismo that runs throughout Blueprints from note one…