Agar Pop

Historieta de fantasía, en color, del artista Alberto Solsona, con guiones de Luis Gasca (Sadko), publicada en 8 episodios en las revistas Drácula de Buru Lan N° 1, 2, 6, 7, 8, 9, 10, y 11. Alberto Solsona (Barcelona, 1947 - Madrid, 1988) fue un destacado artista plástico, pintor, ilustrador, y por si fuera poco, también un notable dibujante de historietas. Sus historietas tienen un inconfundible estilo propio, muy cercano al de la ilustración pop psicodélica. La historieta va narrando pequeñas aventuras y amores del hada Agar-Agar en distintos Mundos o paisajes de fantasía, pero con un enfoque propio de la época, fuertemente influenciado por la cultura hippy.

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

One couldn't imagine a better opening number for the radio program The Doris Day Show than "It's Magic," for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show–recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs–Doris joined her special guests at the piano for performances of songs she often had never commercially recorded. This is a largely unknown and scarcely documented facet of Doris' career, and Day Time on the Radio brings to light no less than 32 rarities including 27 duets and five solo performances. Among her notable foils are frequent leading man Gordon MacRae, who starred in five pictures with Doris; here the two of them sing a total of four duets, highlighted by their medley of "Cuddle Up a Little Closer"/"Till We Meet Again."

One couldn’t imagine a better opening number for the radio program The Doris Day Show than “It’s Magic,” for each week between March 1952 and May 1953, the versatile song stylist and beloved motion picture star cast a spell over listeners worldwide with an intimate gathering of famous friends filled with music and laughter. Over the course of five dozen broadcasts of The Doris Day Show recorded in Hollywood in front of a live audience and happily preserved on 16-inch transcription discs Doris joined her special guests at the piano for performances of songs she often had never commercially recorded.

The Young Fresh Fellows are an American alternative rock group that was formed in 1981 in Seattle, Washington, by Scott McCaughey and Chuck Carroll. Tad Hutchison, Chuck Carroll's first cousin, joined for the recording of the group's debut album in 1983. Their first album was The Fabulous Sounds of the Pacific Northwest (1984) after which Jim Sangster joined the group on bass and McCaughey switched from bass to guitar. Carroll left the group in 1988, and was replaced by Kurt Bloch from The Fastbacks.

The Passions were a post-punk band formed by guitarist/vocalist Barbara Gogan, bassist Claire Bidwell, drummer Richard Williams, vocalist Mitch Barker, and guitarist Clive Temperley. Prior to forming in 1978, most of the members had spent time in other groups. Most notably, Temperley was an ex-101'er, and Williams was in Prag Vec precursors the Derelicts. The Passions debuted in March of 1979 with the Needles and Pins single on Soho, which helped them gain a contract with Fiction, home of the Cure.