Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.
Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire" ("Three times Seven Poems from Albert Giraud's 'Pierrot lunaire'"), commonly known simply as Pierrot lunaire, Op. 21 ("Moonstruck Pierrot" or "Pierrot in the Moonlight"), is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter (voice-type unspecified in the score, but traditionally performed by a soprano) who delivers the poems in the Sprechstimme style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921.
Live at Big Apple in Kobe captures a riveting, wildly unpredictable live performance by Mahobin, a formidable quartet of improvisers gathered together for the first time by pianist-composer Satoko Fujii. The recording is the eighth of Fujii’s yearlong birthday celebration which has her releasing a new CD every month. Joining her on this recording are trumpeter Natsuki Tamura, Danish saxophonist Lotte Anker, and laptop musician Ikue Mori. Performing without any compositions or pre-arranged plan, the quartet improvises a thrilling album of music laced with brilliant colors, compelling rhythms, and melodic beauty balanced with otherworldly abstraction.