al Haram al Rabe

A collection of 21 CD, which includes all the studio albums by Al Stewart at the moment, as well as a compilation of his best songs. Al Stewart (born Alastair Ian Stewart, 5 September 1945) is a Scottish singer-songwriter and folk-rock musician. Stewart came to stardom as part of the British folk revival in the 1960s and 1970s, and developed his own unique style of combining folk-rock songs with delicately woven tales of the great characters and events from history. He is best known for his hit 1976 single "Year of the Cat" from the platinum album Year of the Cat.

An Al Kooper anthology featuring Mike Bloomfield, Bob Dylan, Steve Stills, Shuggie Otis, Paul Simon. Includes live material.

Al Kooper, by rights, should be regarded as one of the giants of '60s rock, not far behind the likes of Bob Dylan and Paul Simon in importance. In addition to co-writing one classic mid-'60s pop-rock song, "This Diamond Ring" (though it was written as an R&B number), he was a very audible sessionman on some of the most important records of mid-decade, including Bob Dylan's "Like a Rolling Stone." Kooper also joined and led, and then lost two major groups, the Blues Project and Blood, Sweat & Tears. He played on two classic blues-rock albums in conjunction with his friend Mike Bloomfield. As a producer at Columbia, he signed the British invasion act the Zombies just in time for them to complete the best LP in their entire history; and still later, Kooper discovered Lynyrd Skynyrd and produced their best work. Instead, in terms of public recognition, Kooper has been relegated to second-rank status, somewhere midway between John Mayall and Steve Winwood. Apart from the fact that he's made, and continues to make great music, it's the public's loss that he's not better respected outside the ranks of his fellow musicians.

Il ne ressemble à personne et personne ne lui ressemble. Il s’impose, naturellement, comme une grande voix du jazz, de la soul et de la pop dès le début des années 70. Né le 12 mars 1940, Alwyn Lopez Jarreau, connu sous le nom de scène de Al Jarreau, a gagné sept Grammy Awards et est le seul chanteur à avoir jamais remporté ces distinctions justement dans les trois catégories (jazz, pop et R&B), et, qui plus est, au cours de quatre décennies différentes (des années 1970 aux années 2000). Ses disques sont emprunts de swing, de légèreté, de fantaisie, tel un funambule sur des océans de musique.

By 1965, trumpeter Al Hirt was a commercial success, although from the jazz standpoint most of his output for RCA was becoming increasingly forgettable. Although he was joined by the Gerald Wilson Orchestra for nine of the 13 selections on this live LP, all of the selections (other than a six-minute rendition of "Carnival of Venice") are quite brief, with several under two minutes. Hirt shows off his technique on a variety of showy devices, but every note sounds planned in advance, whether it be "Bye Bye Blues", "Down By the Riverside" or a remake of his hit "Java".

Al Kooper, by rights, should be regarded as one of the giants of '60s rock, not far behind the likes of Bob Dylan and Paul Simon in importance. In addition to co-writing one classic mid-'60s pop-rock song, "This Diamond Ring" (though it was written as an R&B number), he was a very audible sessionman on some of the most important records of mid-decade, including Bob Dylan's "Like a Rolling Stone." Kooper also joined and led, and then lost two major groups, the Blues Project and Blood, Sweat & Tears. He played on two classic blues-rock albums in conjunction with his friend Mike Bloomfield. As a producer at Columbia, he signed the British invasion act the Zombies just in time for them to complete the best LP in their entire history; and still later, Kooper discovered Lynyrd Skynyrd and produced their best work. Instead, in terms of public recognition, Kooper has been relegated to second-rank status, somewhere midway between John Mayall and Steve Winwood. Apart from the fact that he's made, and continues to make great music, it's the public's loss that he's not better respected outside the ranks of his fellow musicians.

Al Grey and Billy Mitchell's musical paths first crossed in various bands led by prominent jazz leaders. After pursuing separate musical endeavors, fate brought them back together in the exciting Count Basie organization during the late 1950s, where they became key members of the band. Their time with Basie lasted until the late 1960 when they decided to chart their own course and co-lead an impressive sextet.

This book examines the manner in which the Haram al-Sharif/Temple Mount has been appropriated by both Palestinians and Israelis as a nationalist symbol legitimizing respective claims to the land.