Alameda is a band that has to be placed into the fascinating realm of andalusian rock movement (some would call it "prog-andaluz"). Their debut is from 1979 and they follow the wake of more famous bands such as the pioneer Triana or the contemporary Medina AzahAra. Unilkely to the said bands, their debut is closer to pop, romantic and slow for the most part, with massive use of piano (both classical and electric) and synth's flights, with hints of jazz here and there (in "Matices", for example). There's excellent flamenco guitar here and there, as in "Ojos de Triste Llanto"; "Aires de la Alameda" is particularly noteworthy also for the sweet melody and typical morish climate (even if not too original); palmas (handclapping) are even added in some tracks as in "La Pila del Pato".
The result is very good: elegant music with low rock quotient.
Here is a 2-CD by Spanish progrock band Alameda featuring all the tracks from their four studio-albums, released between 1979 and 1983. If you are up to Spanish progressive rock, don't miss this excellent compilation, what an exciting encounter between progressive rock and flamenco, the ethnic music from Andalusia (the southern part of Spain). The 32 elaborate compositions sound very pleasant, melodic, harmonic and varied, from romantic and dreamy to bombastic symphonic rock or swinging jazzrock. The Spanish vocals are outstanding: powerful, emotional and that typical flamenco undertone (without the usual wailing expression), this man gives many tracks an extra dimension! Alameda plays very professional: a splendid, very fluent rhythm-section, tasteful keyboards…
Justin Townes Earle released Kids In The Street, his first record on New West Records, in May of 2017. The album received critical acclaim and further cemented Justin’s legacy as one of the best active songwriters in music. Songs like “Champagne Corolla” showcased his wry sense of humor as well as his deft ability to build upon the music that came before him while at the same time creating something unique and new. Familiar, inventive, creative, and clever.
Francisco de Asís Palacios Ortega (Paco to his friends), better known as the "Pali", born May 22, 1928 in the central neighborhood of La Casa de la Moneda de Sevilla and dies in the same city in 1988 Andalusian at age 60. The nickname seems to be that it is because in his youth was thin as a "stick" nothing to do with the image that is identified in the photographs of his albums since "The Pali" eventually gained weight and had to overcome their myopia with glasses whose lenses were increasing the so-called "bottle-ass." Your fat and glasses gave him that peculiar aspect which remind people of Seville, and who disappeared in 1988 and was buried as said on one of their Sevillanas "With my flag of Spain."
The Marvin Gaye Collection released by Motown Records in 1990. The box set, divided into four categories, features thirty-four unreleased songs, including the sessions from 1979's The Ballads. A wonderful anthology of classics and rare tracks. The Balladeer is my favourite CD; so soulful and expressive of the pain this artist had experienced in his life. Wonderful to listen to when you are feeling nostalgic. There are many feel-good songs in this box set and already a collector's item. Some of the best music from the 20th century and an artist and voice that is truly missed.
Triana is the most legendary progressive rockband in Spain. Formed in 1974, the band were known for blending elements of progressive rock and flamenco music to make a style known as Andalusian rock or flamenco rock. "Quiero Contarte" is a triple album paying homage to Triana featuring, on the one hand a selection of the most emblematic songs from the 7 recorded albums by the legendary Andalusian rock band on two of the CDs. On the other, a CD featuring the album "Tributo a Jesús de la Rosa". This CD, produced by Gonzalo García-Pelayo, features 17 cover versions of their songs and played by famous modern spanish musicians (andaluz bands Alameda & Medina Azahara among them).
The Saint Of Lost Causes is the 8th album from American roots troubadour, Justin Townes Earle. Earles latest album finds a songwriter and artist who is unflinching and unequivocal in his truth. When writing this album, Earle focused on a different Americathe disenfranchised and the downtrodden, the oppressed and the oppressors, the hopeful and the hopeless. Theres the drugstore-cowboy-turned-cop-killer praying for forgiveness (Appalachian Nightmare) and the common Michiganders persevering through economic and industrial devastation (Flint City Shake It); the stuck mother dreaming of a better life on the right side of the California tracks (Over Alameda) and the Cuban man in New York City weighed down by a world of regret (Ahi Esta Mi Nina); the used up soul desperate to get to New Orleans (Aint Got No Money) and the sons of bitches in West Virginia poisoning the land and sea (Dont Drink the Water). These are individuals and communities in every corner of the country, struggling through the ordinaryand sometimes extraordinarycircumstances of everyday life.