Alex Soojong

Alex Cameron has always been a great storyteller, finding his ways into the depths of the places where not many others are looking, and Oxy Music continues on that trajectory. It’s filled with stories of people who fall outside the system and exist in the grey areas of life.

This 1979 outing saw Alex Harvey returning to the rock music world for what would be his final album. It's no big surprise that The Mafia Stole My Guitar sounds a lot like the Sensational Alex Harvey Band: the music remains the same unusual but intriguing blend of prog ambition and punk energy and it also contains a few of Harvey's trademark oddball cover versions (example: his surprisingly straight-faced cabaret version of "Just A Gigolo/I Ain't Got Nobody"). What is a surprise is how consistent The Mafia Stole My Guitar is, especially in light of the uneven final albums of his last band.

We are very happy to announce the release of our CD - WIND DANCE with the music of the extremely inspirational trumpet player, composer and arranger Alex Sipiagin. Our collaboration with this amazing artist has brought us a big musical satisfaction, and the opportunity to work with and discover a great rhythm section comprising of Misha Tsiganov as pianist and exquisite arranger for big band, the extremely lyrical bassist Makar Novikov and the versatile and magician-like drummer Sasha Mashin. A big thank to Will Vinson who is featured as guest soloist and who's solos up-lift us. We wish to thank Liliana Staicu, Gilda Radulescu, Tiberiu Comandasu Editura Casa Radio, Radio România for all their support and our sound team - Florin Tudor, Andrei Barbu and Dan Popescu who worked with us on recording, mixing and mastering the material.

Alexander James Harvey was a Scottish rock and blues musician. Although his career spanned almost three decades, he is best remembered as the frontman of The Sensational Alex Harvey Band, with whom he built a reputation as an exciting live performer during the era of glam rock in the 1970s. Their first two albums, Framed (1972) and Next (1973), didn't sell, but in the fall of 1974 The Impossible Dream became Harvey's first chart record in the U.K. (It briefly made the American charts in March 1975.) Tomorrow Belongs to Me followed in the spring of 1975, hitting the Top Ten along with the Top Ten singles placing of Harvey's flamboyant cover of the Tom Jones hit "Delilah."

Playing hand percussion and drum kit with a variety of different stars and lesser knowns, Acuna spans the breadth and depth of Latin-based rhythms from his native Peru through Cuba, Puerto Rico, Venezuela, and other South American locales. Notables Giovanni Hidalgo, Luis Conte, Anthony Carrillo, and Paoli Mejias join a varying sized cadre of singers and fellow percussion helpmates to stroll through this multi-cultural mosaic of percussive splendor. Of the smaller ensemble tracks, "Bemlerias" is a 6/8 song with electric bass and keyboards on the more contemporary side, while "L.A. Rap" sports Spanish trash talk, and the ten-minute "Descarga at Dawn" is the ultimate cha based workout for quintet with Acuna on the kit.