Alex Van Pelt Resurrection Fern

Wubbo Johannes Ockels was a Dutch physicist, astronaut, pilot and professor. On October 30, 1985, he was the first Dutchman in space when he participated in a flight on the space shuttle Challenger, STS-61-A. This experience affected him deeply and when he came back he put a lot of effort into safe ways of preserving the Earth and methods of producing safe energy. Until his death in 2014, he was Professor of Aerospace for Sustainable Science and Technology at the TU Delft Faculty of Aerospace Engineering. Ockels died in 2014 of an aggressive form of kidney cancer. Until his very last day of his life - some say with his last breath - he spoke of our responsibilities: Save the earth, well now!

Wolfgang Rihm's works often emerge in family groups, with one piece serving as the starting point for a whole hierarchy of others, but the starting point for the five movements of the Nähe Ferne symphony was another composer. Rihm was commissioned by the Lucerne Symphony Orchestra to write pendants to each of Brahms's four symphonies, and after they were performed, he assembled the set into a symphony of his own, adding to the sequence an orchestration ……

Andrew Clements - The Guardian, Thursday 25 April 2013

With Van Gogh in Me, the Netherlands Chamber Choir presents an experience in which the paintings of Vincent Van Gogh and Gustav Klimt come to life to the music of the great Romantic and early 20th century composers such as Debussy, Saint-Saëns, Mahler… and, in a world premiere, a transcription for a cappella choir of Satie's first Gymnopédie. Originally written for solo piano, this work, which is known and played throughout the world, finds a new magical and celestial dimension in this new version for choir. Mentioning the name of Van Gogh immediately evokes in each of us a colour, a landscape, a sensation… Hence the idea of creating an immersive audiovisual experience: the choir approached an Italian collective, fuse*, to link images and sounds to the emotions of the musicians and the audience… fuse* developed an algorithm based on the works of Van Gogh and Klimt by recording their styles, colours, brushstrokes… then, during the concert, collects the sound of the choir but also biometric data that analyses the emotional state of the audience, the singers and the conductor, and creates visuals in real time, an astonishing show of colours and shapes that mixes sound, images and emotions… The visual of the album is inspired by these experiments.