Alexis Roussiaux Pour Elle

Alexis Marshall is best known as the frontman for Rhode Island’s notorious provocateurs Daughters, whose eight-year hiatus between their posthumous self-titled album and the critically acclaimed comeback album You Won’t Get What You Want found the ever-evolving band explode from down-and-out cult heroes to one of the biggest bands in the nebulous territory where abrasive noise rock fuses with high-art aspirations. For his debut album House of Lull . House of When, Marshall wanted to push that sense of chaos even further, by crafting an album around moments of spontaneity and sonic detritus, where a mistake could become a hook or the whip of a chain could become a beat.

Alexis Ffrench isn’t afraid of fusing his music with weighty issues. For years, the pioneering pianist has used his music to highlight mental health, discuss diversity and challenge the classical world to be more inclusive. Truth, his latest album, is his most powerful and political to date, and also his most optimistic. “I imagined what the world would look like if everybody had the opportunity to ask themselves the questions ‘who am I?’ and ‘what is my purpose in the world?’ and what we, as a human race, could create and change together.” Featuring Alexis’ signature piano and orchestra sound, alongside rare collaborations including the searingly soulful One Look with his friend Leona Lewis, Truth captures Alexis’ hopes for the future and his belief that change is already upon us.

Although his name may not be as instantly recognizable stateside as Eric Clapton, the Rolling Stones, or Led Zeppelin, Alexis Korner played an enormously large role in helping launch the British blues explosion of the '60s. After all, such soon-to-be household names as Mick Jagger, Keith Richards, Ginger Baker, and Robert Plant either recorded with Korner, or credit the singer/guitarist as an early inspiration to follow their blues calling. The double-disc. 40-plus-track Kornerstoned: The Anthology 1954-1983 chronicles Korner's entire recording career, from Alexis Korner Skiffle Group in the early '50s, to fronting various bands later in the '50s and throughout the '60s (as Alex Korner's Blues Incorporated, Alex Korner's Blues All Stars, etc.), all of which are included here…

CD pressing of this 1972 album from the British Blues great. Alexis Korner, along with John Mayall, could be called the "father of British Blues". Even though he himself is not necessarily a well known name, he helped launch the careers of many top Rock and Blues stars from the 1960s. Bootleg Him! is a 20 track collection of odds & ends from his early career. Musicians appearing with Alexis on this album include Robert Plant, Jack Bruce, Ginger Baker, Charlie Watts, Graham Bond, Paul Rodgers, Andy Fraser, the list goes on and on.

For the 300th anniversary of C. P. E. Bach’s birth, Alpha proposes discovering the work of one of the Cantor’s sons from an original angle: that of the Alexis Kossenko’s flute.
In this boxed set, Alpha has brought together the complete Flute Concertos as well as the marvellous Trio Sonatas, masterpieces that allow for discovering Carl Philipp Emanuel’s close connection with the traverso, and also perceiving Alexis Kossenko’s strong ties with this brilliant composer.

The group is still called Blues Incorporated, but without Cyril Davies or Long John Baldry, who were present on the first record. Recording at Liverpool's Cavern Club was more a gimmick than anything else, and the music is not as well made or exciting as the group's first album. This record shows Alexis Korner's more big-band type blues work, favoring horns. At the Cavern was a good album, but not one that was going to make much noise amid the work of the Rolling Stones, the Animals, or the Yardbirds. Originally released in 1964, At the Cavern was reissued on CD in 2006 and includes bonus tracks.

Here Alexis Kossenko (flute) and Vassilis Varvaresos (piano) plunge us into the fantastic atmosphere of Northern Europe in the second half of the Nineteenth Century, when composers’ imaginations were fired by folktale and legend. The water spirit Ondine inspired Carl Reinecke, whose op. 167 provides the starting point for an allegorical programme inhabited by disturbing and fascinating creatures.

Louis Vierne is the greatest, most brilliant French organist of his generation. He was born in Poitiers, with an inoperable cataract that would slowly lead to total blindness. The family moved according to his father’s career, a Bonapartist journalist.