The second album taken from a strong performance by the George Adams-Don Pullen Quartet, this set features three compositions by pianist Pullen (including his catchy "Big Alice") and tenorman Adams' "City Gates." The music swings in its own way while being quite unpredictable, intense and sometimes avant-garde. There is nothing sleepy or routine about the chance-taking (and frequently exciting) music.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A firey session from the quartet of George Adams and Don Pullen – a set that has the group stretching out in some of their most spiritual modes, yet still finding plenty of time to swing as well! Adams is tremendous on tenor – a very fresh voice in the post-Coltrane world, with phrasing that is all his own – even more amplified when he switches to flute – and Pullen's got this ability to go outside, and show his knowledge of the darker corners of the keyboard – yet never let that side of his playing overwhelm things, possibly because the rhythmic accompaniment from Cameron Brown on bass and Dannie Richmond on drums is so strong. Tracks are all long, and very individual – with the group in high spirits on the titles "Earth Beams", "Magnetic Love Field", "Saturday Nite In The Cosmos", "More Flowers", and "Dionysus".
The Met's production, staged by Adams' long-time collaborator Peter Sellars, stars James Maddalena as Richard Nixon, a role he created at the opera's world premiere in 1987 and has since performed at international leading opera houses, including the English National Opera, Netherlands Opera, and Brooklyn Academy of Music. Nixon in China was recorded and broadcast live in movie theatres around the world as part of The Met: Live in HD on February 12, 2011 - 10 days after the opera received its Met premiere.