Alice Morrison

Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado."

It’s no secret Alice Cooper has entered the twilight years of his career, but he’s not riding into the sunset quietly – and that’s a great thing for his fans. The original master of shock rock (as well as clever lyrics, golfing, reinventing himself numerous times, we could go on…) has been incredibly prolific this decade. He has released two albums with Hollywood Vampires (with rumors of a live album on the horizon,) as well as two studio albums and two live albums as Alice Cooper, with possibly more to come soon, and of course there was Coop’s recent Record Store Day exclusive release of his reunion with the original Alice Cooper Group, and right now we find ourselves treated to a fun little trinket called Breadcrumbs…

Alice Cooper wasted little time following up the breakthrough success of Love It to Death with another album released the same year, Killer. Again, producer Bob Ezrin was on board and helps the group solidify their heavy rock (yet wide-ranging) style even further. The band's stage show dealt with the macabre, and such disturbing tracks as "Dead Babies" and the title track fit in perfectly. Other songs were even more exceptional, such as the perennial barnstorming concert standard "Under My Wheels," the melodic yet gritty "Be My Lover," and the tribute to their fallen friend Jim Morrison, "Desperado." The long and winding "Halo of Flies" correctly hinted that the band would be tackling more complex song structures on future albums, while "You Drive Me Nervous" and "Yeah, Yeah, Yeah" showed that Alice Cooper hadn't completely abandoned their early garage rock direction…