Within the first 30 seconds of "Spiritual Eternal," the opening track on Alice Coltrane's final studio album, Eternity, the listener encounters the complete palette of Alice Coltrane's musical thought. As her Wurlitzer organ careens through a series of arpeggiated modal drones, they appear seemingly rootless, hanging out in the cosmic eternal. They remain there only briefly before an orchestra chimes in behind her in a straight blues waltz that places her wondrously jagged soloing within the context of a universal musical everything as she moves through jazz, Indian music, blues, 12-tone music, and the R&B stridency of Ray Charles…
The big task for Alice in Chains on their 2009 comeback Black Gives Way to Blue was to prove they could carry on battered and bruised, missing Layne Staley but still in touch with their core. They had to demonstrate the band had a reason to exist, and Black Gives Way to Blue achieved this goal, paving the way for another record just like it. Enter The Devil Put the Dinosaurs Here, a record that is pretty close to identical to Black Gives Way to Blue in its sound, attack, and feel. Where it differs is in the latter, as the overall album feels lighter and, at times, the individual songs do, too. "Scalpel" flirts with the acoustic bones of Jar of Flies and also has perhaps the richest melody here, working as a song, not a grind. That said, there is an appeal to that monochromatic churn, the kind AIC created on Dirt and haven't let go of since…
On his 2019 EP Breadcrumbs, shock rock pioneer Alice Cooper paid tribute to his hometown of Detroit, working in a Detroit studio with a host of musicians from the city recording a smattering of covers of Bob Seger, the MC5, Suzy Quatro, the Dirtbombs, and other Motor City favorites. Full-length album Detroit Stories expands on the theme begun with Breadcrumbs, presenting many of the EP's tracks again and fleshing out the record with new originals and covers. Showing up a second time are high-spirited covers of the MC5's "Sister Anne," Seger's "East Side Story," and original tunes "Go Man Go" and "Detroit City 2021" (updated from its title "Detroit City 2020" on the EP).
3 albums on 2 CD's! The three albums featured in this set are Trash (1989), Hey Stoopid (1991) and The Last Temptation (1994). Alice Cooper (born Vincent Damon Furnier) is an American singer, songwriter, and actor whose career spans over 50 years. "Alice Cooper" was originally a band whose 1969 debut album met with limited chart success but following the release of a second album in 1970, the band had an international hit with the song "I'm Eighteen". They reached their commercial peak in 1973 with their sixth studio album, Billion Dollar Babies after which they broke up and Furnier adopted the band's name as both his legal and stage name. Cooper released his first solo album Welcome to My Nightmare in 1975 followed by a steady stream of albums during the 70s and 80s. With a raspy voice and a stage show that features numerous props, including pyrotechnics, guillotines, fake blood, reptiles, baby dolls, and duelling swords, Cooper is considered to be "The Godfather of Shock Rock". He has experimented with a number of musical styles, and helped shape the sound and look of heavy metal.
The big task for Alice in Chains on their 2009 comeback Black Gives Way to Blue was to prove they could carry on battered and bruised, missing Layne Staley but still in touch with their core. They had to demonstrate the band had a reason to exist, and Black Gives Way to Blue achieved this goal, paving the way for another record just like it. Enter The Devil Put the Dinosaurs Here, a record that is pretty close to identical to Black Gives Way to Blue in its sound, attack, and feel. Where it differs is in the latter, as the overall album feels lighter and, at times, the individual songs do, too. "Scalpel" flirts with the acoustic bones of Jar of Flies and also has perhaps the richest melody here, working as a song, not a grind. That said, there is an appeal to that monochromatic churn, the kind AIC created on Dirt and haven't let go of since…