Alice Murno

School's Out catapulted Alice Cooper into the hard rock stratosphere, largely due to its timeless, all-time classic title track. But while the song became Alice's highest-charting single ever (reaching number seven on the U.S. charts) and recalled the brash, three-and-a-half-minute garage rock of yore, the majority of the album signaled a more complex compositional directional for the band. Unlike Cooper's previous releases (Love It to Death, Killer), which contained several instantly identifiable hard rock classics, School's Out appears to be a concept album, and aside from the aforementioned title track anthem, few of the other tracks have ever popped up in concert.

Back in the '70s, a group of rock & roll carousers called themselves the Hollywood Vampires as they crawled the bars of Los Angeles during the dead of night. Alice Cooper was at the forefront, joined by Harry Nilsson, John Lennon, Ringo Starr, Keith Moon, and Micky Dolenz – a crew so soused that their tales became legend, even if the specifics of the debauchery were often forgotten. Forty years later, Alice Cooper revived the name Hollywood Vampires when he formed a classic rock supergroup with Joe Perry and Johnny Depp.

Collects five of his original albums, in card LP replica sleeves. Features "Billion Dollar Babies" (1973), "Muscle Of Love" (1973), "Welcome To My Nightmare" (1975), "Alice Cooper Goes To Hell" (1976) and "The Alice Cooper Show : Live" (1977).

Lord of Lords, released in 1972, was Alice Coltrane's final album for Impulse! It was the final part of a trilogy that began with Universal Consciousness and continued with the expansive World Galaxy. Like its immediate predecessors, the album features a 16-piece string orchestra that Coltrane arranged and conducted, fronted by a trio in which she plays piano, Wurlitzer organ, harp, and timpani with bassist Charlie Haden and drummer Ben Riley. Riley was familiar with the setting because he had been part of the sessions for World Galaxy. The first two pieces, "Andromeda's Suffering" and "Sri Rama Ohnedaruth" (titled after the spiritual name for her late husband, John Coltrane), are, in essence, classical works. There is little improvisation except on the piano underneath the wall of strings. They are scored for large tone clusters and minor-key drone effects, but also engage in creating timbral overtones.