Alice Murno

Universal Consciousness was the fifth solo album released by Alice Coltrane in 1971 on Impulse! Records. The Allmusic review by Thom Jurek awarded the album 4½ stars saying "This is art of the highest order, conceived by a brilliant mind, poetically presented in exquisite collaboration by divinely inspired musicians and humbly offered as a gift to listeners. It is a true masterpiece".

Collects five of his original albums, in card LP replica sleeves. Features "Billion Dollar Babies" (1973), "Muscle Of Love" (1973), "Welcome To My Nightmare" (1975), "Alice Cooper Goes To Hell" (1976) and "The Alice Cooper Show : Live" (1977).

After 2021’s critically acclaimed Echoes of Life, pianist Alice Sara Ott has now recorded a selection of works by Beethoven for her latest album. At the heart of Beethoven is Piano Concerto No. 1, Op. 15, in which she is joined by the Netherlands Radio Philharmonic Orchestra and its Chief Conductor Karina Canellakis. Ott and Canellakis were in fact approached by Apple Music to record this particular concerto, with the result that they and the orchestra became the stars of the Apple Music Classical app launch video earlier this year. The pianist then selected a series of solo works to complement the concerto performance, including “Für Elise” and the “Moonlight” Sonata. Beethoven is released digitally on 28 July – together with a “Für Elise” video – and physically on 29 September.

Vocalist and violinist Alice Zawadzki, pianist Fred Thomas (who also plays the vielle and drums here) and bassist Misha Mullov-Abbado present a rare alchemy on their trio debut, fusing folk idioms from a multitude of sources with free flowing interplay and fluid structures. Inhabiting their own stylistic realm, the trio encompasses folk song, chamber music, improvisation and acoustic jazz, and on Za Górami they present the full span of their reach in a mesmerizing whole. Ladino traditionals are heard alongside striking renditions of Gustavo Santaolalla’s “Suéltate Las Cintas” and Simón Díaz’s “Tonada De Luna Llena”. The title-lending Polish traditional “Za Górami” is performed in a poignant interpretation by Zawadzki and the Renaissance piece “Je Suis Trop Jeunette” finds a kindred spirit in Fred Thomas’s monody-inspired setting of James Joyce’s in “Gentle Lady”. The album was recorded at the Auditorio Stelio Molo in Lugano and produced by Manfred Eicher.