U.S. basement psych-prog monster released in 1979 as an ultra-rare private pressing of 200 copies. MacArthur were formed when a young guitar player and songwriter named Ben MacArthur met a 17-year old prodigy musician called Bill Heffelfinger in Saginaw, Michigan, in 1978. Bill was not only a gifted guitar player but also a genius arranger and keyboard wizard. When Ben showed him some of the stuff he had written, Bill took the songs and transformed them into classic pieces of music. They soon recruited Jeff Bauer on bass and Scott Stockford on drums. The chemistry of MacArthur was born. The first MacArthur album, known in collector's circles as The Black Forest due to the vinyl bootleg of the same title released in the '80s, was recorded in 1979 using a four-track machine…
Brand X's most eclectic album to date, Product is perhaps most notable for its attempts at a pop crossover in the Phil Collins-sung "Don't Make Waves" and "Soho." The range of styles presented here – hard and soft fusion, pop, progressive rock – results from the now-interchangeable nature of the Brand X lineup, which, in addition to the returning Collins and Robin Lumley, is expanded to include bassist John Giblin and drummer Mike Clarke (Chuck Burgi having left after Masques)…
Brand X's most eclectic album to date, Product is perhaps most notable for its attempts at a pop crossover in the Phil Collins-sung "Don't Make Waves" and "Soho." The range of styles presented here – hard and soft fusion, pop, progressive rock – results from the now-interchangeable nature of the Brand X lineup, which, in addition to the returning Collins and Robin Lumley, is expanded to include bassist John Giblin and drummer Mike Clarke…
Great news for people who love morbid, mordant, sci-fi-inflected synth music: Infiné Music label is reissuing Zed's (aka Bernard Szajner) awesome imaginary soundtrack LP Visions of Dune (1979). Created over eight days on a borrowed Oberheim sequencer and an Akaï four-track, the music here represents some of the deepest, most intense evocations of alien atmospheres ever waxed. It's a claustrophobic and expansive collection of dystopian tone poetry and ominous electro rock that will appeal to fans of Heldon, Magma, and first-half-of-the-'70s Tangerine Dream. Szajner, now 70, told The Vinyl Factory that he conceived a series of what he called “mental impressions of a character, a situation or a concept” from Frank Herbert’s novel.
Combining nu-metal with serious pop polish and structure, Alien Ant Farm always felt like a band that lived in two worlds: not quite heavy enough to be metal, but a little too fast-paced for the pop set. And while Alien Ant Farm's genre might be unclear, their entry in the 20th Century Masters series gives fans a bird's-eye view of their career and another opportunity to try nailing down what these guys were up to. Given the musicianship on tracks like "Movies" and their cover of the Michael Jackson classic "Smooth Criminal," while it might be hard to describe, it sure did work.
Even though the ALIEN debut is 31 years old now it has lost nothing of its magic. In particular the two anthems “Only One Woman” and “Tears Don’t Put Out The Fire” are still a wet dream for any AOR fan. This reissue contains the original Scandinavian version with Jim Jidhed on vocals as well as the later US-version with new singer Pete Sandberg on vocals on some songs. Furthermore the re-release contains the two bonus tracks “Feel My Love” and “Touch My Fire” which make this album even more essential.