Alien Versus Alien

Deepest View (Archive Volume 3) (2011). Following closely in the footsteps of their first two archival releases, Space Debris return with a third volume of live recordings and bits and pieces. Starting off in an unusually subdued mood, with moody acoustic piano, the 10-minute opening cut Mary-Joe-Anna nonetheless gets going eventually into another heavy jam from the band. The shorter Reprise of the Sun features some nice electric piano. Off course, throughout is the sterling organ work that is something of a signature sound for Space Debris, provided on some tracks by current keyboardist Winnie Rimbach-Sator and on others by former keyboardist Tom Kunkel. But let’s not forget the tight rhythm section of Peter Brettel (bass) and Christian Jäger (drums) and the endlessly creative guitar playing of Tommy Gorny…

In 1968 the composer Antonio Bartoccetti founded the group Jacula, with a view to transform into music a series of theological-philosophical and esoteric observations. Jacula released the albums "In Cauda Semper Stat Venenum", "Tardo Pede in Magiam Versus". The project would end in 1972, then evolve into Antonius Rex and more album would follow under that name.
"In Cauda Semper Stat Venenum" is the debut album by Jacula. Self-released by the band in 1969 on their Gnome label, the album was released by Black Widow Records in 2001 in a highly edited version (according to guitarist and bandleader Bartoccetti) featuring Pro Tools, distorted guitars and samplers. Mysterious worlds, evocative church organ, innovative guitar, involving voices and lyrics, creative piano and synth, rhythms with tympanis.

I Tell a Fly is the forthcoming second album by English artist and poet Benjamin Clementine. It follows his Mercury Prize-winning debut album, At Least for Now. According to a press release, the album was written and produced by Clementine, recorded at RAK Studios. It is due to be released on 29 September 2017 in Europe and 2 October in the United States.

Two years after they met, six musicians coming from radically different universes released an EP under the name of We Insist!, an obvious reference to Freedom now suite, Max Roach’s manifest. Three LPs, hundreds of concerts and ten years later, We Insist! have created a style of their own. It is a testimony of their resilience and their independence. Live performances are their battlefield, where songs are created and perfected in front of the audience. Their influences are numerous: Shellac, Queens of the Stone Age, Primus, At-The-Drive-In, John Zorn or Tool. David Lynch comes to mind as well, mostly because all such references and influences are subtly intertwined and mixed with one another…