All That Jazz Critetion

Documentary celebrating the founding of Ronnie Scott's Jazz club in 1959. Scott, a rising young saxophone player, opened a club where he and his friends could play the music they liked. Over the following years, the club had its ups and downs, reflecting the changes in attitudes to jazz and the social life of surrounding Soho.

Choreographing and picking dancers for his current show whilst editing his feature film about a stand-up comedian is getting to Joe Gideon.

An American famous photographer, Richard Misrach, and a Mexican contemporary composer, Guillermo Galindo, have worked together to create pieces with the artifacts that have been sporadically left during the migration on the 2000-mile border between the U.S. and Mexico. The border is also known as the edge of life and death where hundreds of human remains are discovered every year. Be ready to experience a unique collaboration, "Border Cantos" which expresses the harsh reality.

Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend.

The film is placed in the world of inexorable noise, dirty food and abundant alcohol. It is the world in which children play on the carousel while next to them amateur strippers entertain loud men against the background of turbo-folk music. Our protagonist is Brankica – a former star of a legendary family of circus performers and acrobats. They called her the Wall (of Death) Princess.

The guy's wife informs him of her plans to divorce him at a counseling session. Husband is dumbfounded. He has several one night stands.

The story of Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins.

This is Martin Scorsese's contribution to the British Film Institute's "Century of Cinema" series. In 1994, the British Film Institute commissioned a set of films to mark the centenary of the movies. They would trace the history of several national cinemas, and the BFI's choice for interpreting the history of American film fell to director Martin Scorsese, a longtime champion of film history and preservation.

Master director Federico Fellini moved into the realm of self-reflexive autobiography with Marcello Mastroianni as Fellini's alter ego Guido Anselmi, a film director who, overwhelmed by the large-scale production he has undertaken, plunges into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque."

A journey into the BBC archives unearthing glorious performances and candid interviews from the golden age of jazz. Featuring some of the greatest names in American music, including the godfather of New Orleans jazz Louis Armstrong, the King of Swing Count Basie, Duke Ellington, Oscar Peterson, Dizzy Gillespie and Ella Fitzgerald.