…Stockfish continues to shine with its groundbreaking SACD technology. The precision and clarity of the stringed instrumentation is flawless, augmenting the acoustics without compromising the intended starkness. (…) Songs For The Road is an engaging album.
"Blues Theme" is arguably the most famous track by Davie Allan & the Arrows. It was recorded quickly on Mike Curb's Tower label for the soundtrack to the move Wild Angels – Peter Fonda's first biker flick and just before Easy Rider. With wild, screaming fuzz guitar and a surf beat, it signifies the sound of the L.A. Strip in 1967 and embodies – in its two-minutes-and-ten-seconds – all the cultural elements of its soundtrack – the waning surf scene that traveled it, the muscle cars that roared through its lanes, the dawn of acid-crazed hippies floating down it, and the speed-drenched outlaw biker tribes who haunted it…
Providing the soundtrack to numerous biker and teen exploitation movies in the mid- and late '60s, Davie Allan & the Arrows bridged the surf and psychedelic eras. Their driving, basic instrumentals featured loads and loads of fuzz guitar, as well as generous dollops of tremolo bar waggling and wah-wah. The guitarist and his band first made their mark with the minor hit "Apache '65," a version of the Shadows/Jorgen Ingmann's instrumental classic "Apache." Hooking up with notorious exploitation movie producer Mike Curb, the Arrows provided the soundtracks to numerous B-movies on the Tower and Sidewalk labels; their greatest success, "Blues Theme" (from The Wild Angels starring Peter Fonda), made the Top 40 in 1967. Curb abandoned racy movies for the Osmonds and purged MGM Records of their psychedelic acts, but the Arrows continued to play and record for various labels during the '80s and '90s. A slew of reissues during the new millennium broadened the group's appeal, and they returned in 2003 with ~ Richie Unterberger
The best of Johnnie Allan’s swamp pop performances for Jin and Viking dating from the late 1950s through the 80s, featuring his all-time classic ‘The Promised Land’ and the local anthem ‘South To Louisiana’. A glance at the release number indicates that Johnnie Allan’s ‘Promised Land’ dates back to the early days of Ace’s CD releases, 1992 in fact. Remember, this was the time before full colour reproduction, even label scans. Some 20 years later, this set has been given a welcome facelift and generally freshened up; note the new cover design for a start.
Art of Life Records is pleased to present a previously unreleased recording by three legendary British musicians. Bassist Danny Thompson (Pentangle, John Martyn, Tubby Hayes, Bert Jansch, Richard Thompson), guitarist Allan Holdsworth (Igginbottom, Nucleus, Tempest, Soft Machine, Gong, Bruford, U.K., Tony Williams New Lifetime) and drummer John Stevens (Spontaneous Music Ensemble, Tubby Hayes, Derek Bailey)…
Velvet Darkness is the first studio album by guitarist Allan Holdsworth, released in 1976 through producer Creed Taylor's CTI Records. The tracks for the album were originally recorded by engineer Rudy Van Gelder at his Van Gelder Studio in New Jersey…
The Things You See is a collaborative studio album by guitarist Allan Holdsworth and pianist Gordon Beck, released in 1980 through JMS–Cream Records. Both The Things You See and Beck's 1979 album Sunbird were reissued together as a compilation in 1989 (with the omission of "Flight" from Sunbird) and again in 1994 (including "Flight")…
MVP stands for the Mark Varney Project. He has been a longtime recruiter of guitar speed demons such as Yngwie Malmsteen and Tony Macalpine. Here he brings together accomplished and established players. It is a very intense fusion recording that can be an intimidating listen both in terms of technique and the consistent intensity maintained throughout…