"Blues Theme" is arguably the most famous track by Davie Allan & the Arrows. It was recorded quickly on Mike Curb's Tower label for the soundtrack to the move Wild Angels – Peter Fonda's first biker flick and just before Easy Rider. With wild, screaming fuzz guitar and a surf beat, it signifies the sound of the L.A. Strip in 1967 and embodies – in its two-minutes-and-ten-seconds – all the cultural elements of its soundtrack – the waning surf scene that traveled it, the muscle cars that roared through its lanes, the dawn of acid-crazed hippies floating down it, and the speed-drenched outlaw biker tribes who haunted it…
…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections.
"Blues Theme" is arguably the most famous track by Davie Allan & the Arrows. It was recorded quickly on Mike Curb's Tower label for the soundtrack to the move Wild Angels – Peter Fonda's first biker flick and just before Easy Rider. With wild, screaming fuzz guitar and a surf beat, it signifies the sound of the L.A. Strip in 1967 and embodies – in its two-minutes-and-ten-seconds – all the cultural elements of its soundtrack – the waning surf scene that traveled it, the muscle cars that roared through its lanes, the dawn of acid-crazed hippies floating down it, and the speed-drenched outlaw biker tribes who haunted it…
"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots
"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots
Recorded in 1988 and originally issued on vinyl, this album features Holdsworth on the Synthaxe guitar synthesizer and Beck on keyboards. But despite the electronic trappings, it's fairly easy to distinguish one instrument from the other since Holdsworth's characteristically long legato lines, frequently horn section-like comping, and volume swells contrast markedly with Beck's fluent tinkling on keys. Nevertheless, the two approaches fit together like hand in glove…
Art of Life Records is pleased to present a previously unreleased recording by three legendary British musicians. Bassist Danny Thompson (Pentangle, John Martyn, Tubby Hayes, Bert Jansch, Richard Thompson), guitarist Allan Holdsworth (Igginbottom, Nucleus, Tempest, Soft Machine, Gong, Bruford, U.K., Tony Williams New Lifetime) and drummer John Stevens (Spontaneous Music Ensemble, Tubby Hayes, Derek Bailey)…
MVP stands for the Mark Varney Project. He has been a longtime recruiter of guitar speed demons such as Yngwie Malmsteen and Tony Macalpine. Here he brings together accomplished and established players. It is a very intense fusion recording that can be an intimidating listen both in terms of technique and the consistent intensity maintained throughout…