Allan Taylore There Was

For 40 years Allan Taylor, born in Brighton in 1945, has been considered as the consummate performer, a writer of literary gracefulness whose troubadour chronicles encapsulate the realism of otherwise unsung heroes, otherwise uncharted lives. His songs are written from a lifetime of travelling; always the observer passing through, each song is a vignette of life, like a story told over a drink in a bar. Each has an integrity that tells you it comes from something real; characters come to life like people you know and places become as familiar as if you had been there. Stockfisch Records again produced a special project including a symphony orchestra: We speak about the 2016 production with the grandseigneur of songwriting, Allan Taylor! The SACD will be titled: "There Was a Time".

After the overwhelming success of Stockfisch's recording with Chinese singer Song Zuying and the China Philharmonic Orchestra (2016 Grammy nomination) Stockfisch Records again produced a special project including a symphony orchestra: We speak about the 2016 production with the grand seigneur of songwriting: Allan Taylor! Back-story: Allan had played on the FOLKEST festival every two or three years, usually on the stage in the Piazza Castello of Spilimbergo, a delightful small town near the North Italian city of Udine. The plan arose, that Valter Sivilotti, an Italian composer, arranger and conductor, would make arrangements of a selection of Allan's songs and conduct the orchestra for the concert. This concert took place in July, 2013.

Allan Taylor together with the Göttinger Symphonie Orchester with their agile conductor Christoph-Mathias Mueller joined the recordings in Göttingen, and a very successful session was performed.

Between the fall of 1962 and the end of 1963, Allan Sherman was perhaps the most popular comedian in America, and along with Bob Newhart he was one of the first to rise to fame through the medium of the long-playing record album. Sherman's gimmick was his gift for taking familiar melodies – folk songs, old standards, hits of the day – and pairing them with new lyrics that turned their original meanings upside down and threw them into a whole new (and very funny) light. Sherman's twin obsessions were Jewish-American culture and the daily outrages that were part and parcel of life in postwar America – from cut-rate clothing and extended families to crabgrass and summer camp, Sherman could point out the foibles of muddling through the Kennedy era and show what was both funny and ridiculous about them.

Between the fall of 1962 and the end of 1963, Allan Sherman was perhaps the most popular comedian in America, and along with Bob Newhart he was one of the first to rise to fame through the medium of the long-playing record album. Sherman's gimmick was his gift for taking familiar melodies – folk songs, old standards, hits of the day – and pairing them with new lyrics that turned their original meanings upside down and threw them into a whole new (and very funny) light. Sherman's twin obsessions were Jewish-American culture and the daily outrages that were part and parcel of life in postwar America – from cut-rate clothing and extended families to crabgrass and summer camp, Sherman could point out the foibles of muddling through the Kennedy era and show what was both funny and ridiculous about them.

Between the fall of 1962 and the end of 1963, Allan Sherman was perhaps the most popular comedian in America, and along with Bob Newhart he was one of the first to rise to fame through the medium of the long-playing record album. Sherman's gimmick was his gift for taking familiar melodies – folk songs, old standards, hits of the day – and pairing them with new lyrics that turned their original meanings upside down and threw them into a whole new (and very funny) light. Sherman's twin obsessions were Jewish-American culture and the daily outrages that were part and parcel of life in postwar America – from cut-rate clothing and extended families to crabgrass and summer camp, Sherman could point out the foibles of muddling through the Kennedy era and show what was both funny and ridiculous about them.

12 CD box set collection featuring all of Allan Holdsworth's solo albums from 1982-2003. That title is no hyperbole-it was a proclamation that ran on the cover of Guitar Player Magazine in 2008, and is a feeling shared by fans and guitarists all around the world. Still, though, Holdsworth remains largely under-rated; many who admire his most famous work have overlooked dozens of fascinating finds to be made on his decades of recordings. This collection is a treasure trove of such discoveries, as it brings you all 11 of his albums as a solo artist, producer and group leader since 1980 plus the live-in-Tokyo album Then! And a 40-page booklet full of liner notes and archival photos. You also get previously unreleased bonus tracks, and all these albums have been newly remastered from the original tapes: I.O.U. (1982), Road Games (1983), Metal Fatigue (1985), Atavachron (1986), Sand (1987), Secrets (1989), Wardenclyffe Tower (1992), Hard Hat Area (1993), None Too Soon (1996), The Sixteen Men Of Tain (2000), Flat Tire (2001) and Then! (2003).

Allan Harris is a very experienced vocalist with an excellent reputation. Sometimes he is even called the "jazz vocal king of New York", and the Miami Herald newspaper finds in his voice "the warmth of Tony Bennett, the sharpness and sense of rhythm of Sinatra and the sly elegance of Nat King Cole." Harris's popularity rose even further during the days of the pandemic lockdown, when every Tuesday he streamed live concerts under the title Harlem After Dark from his own apartment on the Web every Tuesday. Allan has amassed an impressive discography of fourteen albums over the years, the latest being Kate's Soulfood (2021). But there were no new live albums in this collection for thirteen years. This streak was interrupted by the release of Live at Blue Llama.

The idea to re-release Win or Lose on Stockfisch Records came from Günter Pauler after I had sent him the original master-tape that I had found amongst my archive material. I