Alter Ego

Italian ensemble Alter Ego have made their name playing the post-minimalism of composers as diverse as Louis Andriessen, David Lang and Frederic Rzewski. Now they turn their attention to pre-, or perhaps more accurately, prototype minimalism in this fine two-disc survey of early Philip Glass. Rejecting the seamless cross-stitching and salamander slither of Glass’s own ensemble, Alter Ego opt for a brassier and more strident approach. This strategy proposes a subtly alternative view about which the composer obviously approves – Orange Mountain Music is his own label.

Myriam Alter received classical music training starting from the age of 8. Being very involved with her studies (graduating from high school, then getting a licence for psychology at the University of Brussels), she stopped practising her instrument at the age of 15. After her studies first she worked in an advertising agency for seven years. After that, without really being aware of it, she went back to music by opening a dancing school that she managed for another seven years. This was when she really felt the need to start studying the piano again. Her innate attraction to improvised music brought her very naturally to jazz. She started to study on her own and then later with two Americans, the saxophonist John Ruocco and pianist Denis Luxion. Finally it was Dutch bass player Hein van de Geyn, who had been following her career closely, who became the producer of her first three records…

Few composers represent the soul of the piano with such truth and are so deeply identified with their instrument. A century apart, Frédéric Chopin and Federico Mompou seem to belong to the same family, to those who know how to listen to the piano speak. In "Alter ego", Célimène Daudet questions the close links between these two composers and pursues her lifelong quest to make the piano sing.

Pianist James Williams learned a great deal from his stint with Art Blakey's Jazz Messengers and when he emerged from the group he was perfectly qualified to be a bandleader. His Sunnyside session features such up-and-coming players as guitarist Kevin Eubanks, the reeds of Billy Pierce and Bill Easley, bassist Ray Drummond, and drummer Tony Reedus on a set of original material…