Altera

The musical life in the late 18th centurys Russian metropolises still needs to be researched more extensively: With this recording, the musicians of the Altera Pars ensemble impressively demonstrate what masterpieces are waiting for their discovery. The international ensemble Altera Pars (in English: Other Side) specializes in the performance of baroque and classical music. The musicians are leading soloists of European orchestras on period instruments. This allows for a variation of the line-up from 3 to 9 people and opens up a rich chamber repertoire from the 18th to the early 19th century. In the last four years, the ensemble initiated a much-praised series of concerts in the Oldenburg Palace.

Polyphonic 14th-century Italian secular music seems to emerge out of nowhere in the history of music. Nevertheless, this tradition – which often goes by the name Ars Nova – fits seamlessly into the history of Italian culture. Our knowledge of it has been pieced together from relatively few sources, which nevertheless reveal three distinct phases. In its first phase, Italian Ars Nova spread out from universities, including those of Padua and Bologna, which had strong links with the dominant and contemporaneous French Ars Nova. In the second phase, the centre of 14th-century Italian polyphony seems to shift markedly to Florence. The final phase, which bridged the late 1300s and early 1400s, shows the influence of intense cultural exchange brought about by an international circulation of musicians and poets caused by the political instability of the papacy’s return from Avignon to Rome and the consequent heightened mobility among the various courts and their entourages.

The American countertenor Christopher Lowrey founded the vocal ensemble Altera ‘to form the beating heart of professional choral music in the United States’. Now regarded as one of the finest and most enterprising choirs on the North American continent, Altera has devised this musical tour through sacred territories which focuses on epic narratives from various periods, from Renaissance music to the present day. The programme includes timeless works by Gibbons, Lotti, Scheidt and Bruckner, as well as twentieth-century compositions by Poulenc, Messiaen and others. Barber’s celebrated Adagio sits alongside the moving Salvator Mundi , taken from Herbert Howells’s Requiem . Not forgetting three world premiere recordings of works written or arranged for Altera by composers Joanna Marsh, Zuzanna Koziej, and Michael Garrepy, who has arranged Were you there?

'Altera Vita' is the first studio album by World renowned multi-award winning artists Tony Kofi (tenor saxophone) and Alina Bzhezhinska (harp) as a duo. The album is saxophone and harp in perfect harmony with Tony and Alina also providing the bulk of the percussion to accompany their recordings. Tony Kofi is widely recognized as one of the leading Jazz saxophonists in the UK and his duties include regularly lending his skills to legendary group Cymande for their live performances. Alina has been heralded as the "New Sound of Europe'' and the duo’s innovative and refreshing approach to recording is apparent on this album. The namesake and inspiration for this album; ‘Altera Vita’ (2023) was named in Downbeat’s jazz albums of 2023, which is very rare for a single release!