Altuim Lib

Super deluxe edition include the three disc (two CDs + DVD) edition plus vinyl picture disc LP pressing, the white tape replica pre-contract demo cassette containing remastered versions of four original demo tracks, an extra bonus CD containing further previously unreleased studio, live and BBC session and remastered tracks…

Human's Lib is fueled by the nonstop synth-pop hooks and brightly textured melodies that went on to be a trademark of Howard Jones. His brand of spirited keyboard-and-lyric exuberance lent itself to a large part of the mid-'80s, especially in Britain. The tracks on Human's Lib are energetic and colorful, coming to life the best on "New Song," a number 27 hit for Jones in the U.S., and on the finely structured "What Is Love?," which gave him the number 33 spot on the singles chart four months later. While both of these songs rested at the bottom end of Billboard's Top 40, they went to number three and number two, respectively, in the U.K., with the album going all the way to number one, proving that his techno-pop stylings were better-appreciated on his side of the Atlantic. Outside of the singles, the album still holds well, with efforts like "Hide and Seek," "Conditioning," and "Pearl in the Shell" following through with a buoyant but orderly techno-pop keenness mustered through his clean use of the synthesizer. Although 1985's Dream Into Action is tighter both musically and lyrically, Human's Lib acts as a well-grounded starting point for Jones' future success.

This unusual session appeared on LP in 1959, featuring Count Basie exclusively on organ accompanying Joe Williams' vocals over a dozen numbers, mostly standards. Although Basie's recordings on the instrument were sporadic, his style was not at all different from the one he utilized at the piano, filling in the holes and providing just enough backing for his very fine singer. Williams' vocals seem effortless throughout the date, though excessive reverb is frequently added. The unidentified rhythm section is anchored by longtime Basie guitarist Freddie Green, bassist Eddie Jones, and drummer Sonny Payne (who sticks mostly to brushes); what's rather unusual about the date is that Green actually takes several brief solos on his unamplified instrument…

This is a really great early '70s psychedelic album. It doesn't really do much that's ground breaking or anything but it's cool nonetheless…