Amanda Melchioretto

Stars gab es am Discohimmel der siebziger Jahre viele, Sternchen noch viel mehr. Doch die Disco-Queen gab es nur einmal: Amanda Lear. Die einstige Muse Salvador Dalís begann ihre Karriere als Fotomodell und Mannequin, war später in mehreren Ländern als TV-Talkmasterin erfolgreich und ist inzwischen selbst eine geachtete und geschätzte Malerin. Der größte Teil ihrer Fangemeinde besteht jedoch nach wie vor aus Musikfreunden. Kein Geringerer als David Bowie war es, der die Frau mit der geheimnisvollen Aura und der markanten tiefen Stimme dazu ermunterte, Schallplatten aufzunehmen

A French pressing of Amanda's 1989 Italian-only album Uomini più uomini was entitled Tant qu'il y aura des hommes (As Long As There Are Men) and basically contained the same song selection, although some of them had been re-recorded with French lyrics…

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn. I Am a Photograph is the first of six sleazy, hard-to-find albums in which she flaunts a voice so heavy with low notes it makes one wonder if she really isn't a man after all. But Lear's slow notes are simply an exaggeration of the whiskey-voiced sultriness created by Marlene Dietrich.

Amanda Lear first surfaced in the early '70s as a fetishistically clothed album-cover model for Roxy Music. She was said to be a transsexual but, as she told Interview magazine, that was just a ruse dreamed up by her sponsor, David Bowie, to draw attention. Her importance to disco fans, however, began in 1977, when she recorded I Am a Photograph in Germany with production help from Tony Monn…

Tam-Tam was Amanda's last album with Ariola Records and was mainly recorded only to fulfill her contract with the label. It was also her first full-length release not to be produced in Munich by Anthony Monn, but only by Italian musicians, primarily Roberto Cacciapaglia who produced the entire material. The album is a blend of synthesizer-based pop and new wave music. Lyrically, it references African folklore, mainly dealing with topics such as black magic. Amanda explained in a 1983 interview: "I'm fascinated with Voodoo, Macumba, exorcisms. Basically, the sphere that goes beyond the perception of rationality". The album artwork is credited to Graphic Studio CGD. It portrays Amanda as an African witch, complete with make-up and outfit. The dress and jewelry are credited to Artemio of Milano, and the photographs are by Angelo Deligio.

Grammy and Americana-award winning singer songwriter and violinist Amanada Shires returns on ATO. The new album Take It Like A Man is a fearless confessional featuring 10 emotionally raw tracks, produced by the talented gender-fluid singer-songwriter and producer, Lawrence Rothman, (Angel Olsen, Girl in Red, Courtney Love).