Amanda Petrusich

«Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records» by Amanda Petrusich

«Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records» by Amanda Petrusich
English | ISBN: 9781451667073 | EPUB | 3.5 MB
Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records

Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records By Amanda Petrusich
2014 | 272 Pages | ISBN: 1451667051 | EPUB | 3 MB

It Still Moves  eBooks & eLearning

Posted by Tamaar at April 1, 2019
It Still Moves

It Still Moves
by Amanda Petrusich
English | EPUB | 1.0 MB
It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music

It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music By Amanda Petrusich
2008 | 290 Pages | ISBN: 086547950X | EPUB | 1 MB

AA.VV. - Giappone. The passenger. Per esploratori del mondo (2018)  eBooks & eLearning

Posted by edi1967 at July 30, 2020
AA.VV. - Giappone. The passenger. Per esploratori del mondo (2018)

AA.VV. - Giappone. The passenger. Per esploratori del mondo (2018)
Italiano | 2018 | 260 pages | ISBN: N/A | EPUB/PDF | 53 MB

Il popolo del Sol Levante reprime le emozioni e protegge la propria cultura, la sua anima è considerata ancora oggi impenetrabile, per avervi accesso c’è bisogno della sensibilità di uno scrittore, del coraggio di un reporter, della lucidità di un giornalista. Due grandi nomi della letteratura nipponica raccontano il «loro» Giappone personale: Banana Yoshimoto ci ospita nel suo quartiere preferito, Shimokitazawa, Ryū Murakami invecchiando riflette sul senso della vita e il calo del desiderio in un paese di aspiranti suicidi.
But What If We're Wrong?: Thinking About the Present as If It Were the Past [Audiobook]

But What If We're Wrong?: Thinking About the Present as If It Were the Past [Audiobook]
English | June 07, 2016 | ASIN: B01D0I6P6G | M4B@64 kbps | 10h 7m | 300 MB
Author: Chuck Klosterman | Narrators: Chuck Klosterman, Fiona Hardingham

But What If We're Wrong?: Thinking About the Present As If It Were the Past  eBooks & eLearning

Posted by IrGens at Aug. 17, 2022
But What If We're Wrong?: Thinking About the Present As If It Were the Past

But What If We're Wrong?: Thinking About the Present As If It Were the Past by Chuck Klosterman
English | June 7, 2016 | ASIN: B015DLUTDS, ISBN: 0399184120 | True AZW3 | 287 pages | 0.6 MB

Nick Drake's Pink Moon  eBooks & eLearning

Posted by step778 at April 20, 2022
Nick Drake's Pink Moon

Amanda Petrusich, "Nick Drake's Pink Moon"
English | 2007 | pages: 128 | ISBN: 0826427901 | EPUB | 1,7 mb

But What If We’re Wrong?: Thinking About the Present As If It Were the Past  eBooks & eLearning

Posted by insetes at Sept. 26, 2021
But What If We’re Wrong?: Thinking About the Present As If It Were the Past

But What If We’re Wrong?: Thinking About the Present As If It Were the Past By Chuck Klosterman
2016 | 288 Pages | ISBN: 0399184120 | EPUB | 1 MB

Matt Elliott - The Mess We Made (2003)  Music

Posted by Designol at Oct. 26, 2021
Matt Elliott - The Mess We Made (2003)

Matt Elliott - The Mess We Made (2003)
EAC | FLAC | Image (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 138 Mb
Label: Merge Records | # MRG232 | Time: 00:52:48 | Scans included
Alternative, Post-Rock, Electronic, Dark Folk

Inevitably, there's some symbolism implied when an artist, after years of lurking behind a semi-obscure pseudonym– head down, eyes averted, shoulders squeezed and high– puts out a record under his common name. Former Third Eye Foundation principal Matt Elliott has spent most of his recording career as a modish UK hipster in a dark disguise: thus, the leap from "Third Eye Foundation" to "Matt Elliott" should involve a nice dose of lurid confessionalism, some newfound honesty, a running-around-naked-in-daylight reinvention of self. Right? Hey, turn this car around! Someone left the personal catharsis at home! The Mess We Made, Matt Elliott's proper debut as Matt Elliott is, at least atmospherically, just as shadowed and sinister as his late, orchestral Third Eye work.