Ampire Banks

Although Peter Banks sadly died in 2013, this new studio album features some of his work which has never been released until now. On 10th August 2010 he and David Cross got together for an afternoon of improvisation and all guitar and violin parts are from that time. Banks had expressed his desire for this music to one day be made available, so over the last few years Cross asked some friends to become involved and help in making this album a reality…

Tony Banks' first solo album borrowed faint elements of Genesis' early progressive sound, making his debut release the strongest in his catalog. Solid keyboard movements lend themselves to mystic, fantasy-like excursions found in tracks such as "From the Undertow," "Somebody Else's Dream," and "The Waters of Lethe," one of the album's strongest cuts…

A Curious Feeling is the début solo album from Genesis keyboardist Tony Banks. Recorded at ABBA's Polar Music Studios during a brief Genesis hiatus, it was released in 1979 on Charisma Records and is one of only two of Banks' solo albums to have entered the UK Albums Chart, reaching 21 and staying on the chart for five weeks. According to Banks himself, the album "got some extremely scathing reviews, I don't think they were fair" but he conceded "this was post-punk and this was really not the album that people wanted to hear". Classic Rock reviewer Jerry Ewing agrees with Banks, writing that the album is made of "lush pastoral English prog rock that deserved better at the time" and is probably the musician's best solo effort.

The Fugitive is the second solo album by Genesis keyboardist Tony Banks. It was originally released in June 1983, on Charisma (UK), and Atlantic (US). It was produced by Banks himself, and co-produced by the Grammy Award–winning Stephen Short. The album is the only album in which Banks sings all of the lead vocals. On the previous concept album, A Curious Feeling (1979) all of the vocals were done by Kim Beacon. When that album did not turn out too successfully, Banks thought that it was pointless to continue that project.

Empire was originally intended to be a new line-up of Flash. The nucleus of the band were guitarist Peter Banks and singer Sydney Foxx. The band never got a record deal and cd's were released in 1995-1996 by One Way Records. The music was recorded in the seventies. Recorded in 1974, this has a few fillers, and it occasionally falls into the prog habit of going six minutes when four would do, but it's still mystifying that this perfectly solid collection would go missing for so long. Empire's sound bridges the West Coast funk of Cold Blood and the jazzy guitar of early Yes, and it works surprisingly well. The charging "Out of Our Hands" has some clever guitar effects thrown in, and a startling moment where Foxx's vocals rise up like a kettle on the boil.

Peter Banks was one of the original members of YES and an accomplished guitarist, but sadly passed away in 2013. This set is being released in his memory, by his Estate, during the 5th anniversary of his passing and the 50th Anniversary of YES. This is the FIRST EVER mainstream release of the “Harmony in Diversity” recordings.

“How to begin? No beginning… never ending reverberation,” Antoine Beuger writes in the accompanying notes to Leo Svirsky’s River Without Banks. Dedicated to his first piano teacher Irena Orlov, River Without Banks is a mesmerizing, emotional collection of pieces that are simultaneously complex and fluid. The title River Without Banks comes from a chapter of musicologist Genrikh “Henry” Orlov’s profound work Tree of Music. In said chapter, Orlov traces the history of sacred music from the Western and Eastern tradition and how the forms (of the chant, raga etc.) sought to eliminate the division between the physical and the spiritual–the bank and the river.