Of all the volumes in the Mosaic Select series – as of this writing there are eight – none is more welcome or unexpected than this set by the late saxophonist, composer, and arranger, Curtis Amy. What these three CDs contain are Amy's entire six-album output for the Pacific Jazz label which includes his masterpiece, Katanga!. Amy's star continued to shine in different contexts after he left the label, as a tough tenor with Gerald Wilson and Ray Charles, as a soloist on the Doors' Soft Parade and L.A. Woman albums, and of course, as an arranger and bandleader in R&B singer Merry Clayton's group (the pair were married). ~ AllMusic
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Amy is an original motion picture soundtrack to the 2015 film of the same name. It was released by Island Records on 30 October 2015. The soundtrack features music by composer Antonio Pinto that was used in the documentary as well as tracks by singer-songwriter Amy Winehouse, the subject of the film. The soundtrack peaked at number 19 on the UK Album Chart on the week of 2 November.
The twenty-three track album features alternative versions of Winehouse's well-known tracks "Tears Dry On Their Own", "Back To Black" and "Love Is A Losing Game"; recordings of "Stronger Than Me", "What Is It About Men", "We're Still Friends" and "Rehab" from rare live sessions; demos tracks "Some Unholy War" and "Like Smoke"; a cover of The Zutons' "Valerie" performed by Winehouse and Mark Ronson; and a version of "Body and Soul"…
“These two concertos were conceived and written a mere 5 years from one other, and are performed here by two exceptional musicians who are also my friends. Their orchestral congurations are quite similar. Bringing them together on a record struck me not only as a natural initiative but also a highly desirable one, akin to the discovery of territories at once familiar and faraway”. Gilbert Amy
Between 1960 and 1963 Texas tenor Curtis Amy (1927-2002) made six superb albums for Dick Bocks Pacific Jazz label, three of which, Groovin Blue, Way Down, and Tippin on Through, are included here. They were part of Bocks recognition of the emergence on the West Coast scene of a more groove-based, harder swinging approach than the cooler, considered style that preceded it. He chose well. Years of semi-obscurity in L.A. dance bands and organ combos had made Amy a thoroughly seasoned, assertive and inventive player in the mould of fellow tenor, Harold Land; these Pacific albums established him as a major exponent of the new music revitalizing West Coast jazz.