André Maraux

The music of C P E Bach makes complex stylistic demands of the performer like little else of its time, the extraordinary drama and intensity tempered by Enlightenment elegance and the influence of the Baroque. Marc-André Hamelin’s performances set new standards in this endlessly absorbing repertoire.

This was André Previn's second album after his long, symphonically enforced absence from jazz, and it sounds noticeably more fluid and relaxed than his first. No longer apprehensive about dusting off his old skills, Previn is delightfully confident and breezy (dig his sly turns on "Come Rain or Come Shine" and "C Jam Blues"), taking some chances as he re-phrases and paraphrases a collection of revivified standards, mostly Harold Arlen and assorted Duke Ellington. Even if Previn, that noted wit, sometimes sounds as if he is kidding the pants off these old tunes, it's great to hear him having such a good time playing jazz again. Mundell Lowe is Previn's new guitar partner, and Ray Brown returns on bass; both are right at home in this refined brand of chamber jazz grooving.

Avid Jazz here presents four classic Andre Previn albums including original LP liner notes on a finely re-mastered and low priced double CD.
“West Side Story”… A 1959 recording of the classic Leonard Bernstein score featuring Andre Previn on piano accompanied by Red Mitchell on bass and Shelly Manne on drums. Take a listen and consider Bernstein’s thoughts from his book “The Joy Of Music” … ”A popular song doesn’t become jazz until it is improvised on, and there you have the real core of jazz improvisation”. “Collaboration”… Andre is joined by Shorty Rogers in an unusual collaboration where each arranger takes turns to lead off with three standard arrangements while the other follows with three original tunes based on the standards chords…

Limited 96 CD set. Conductor, pianist, composer and media personality, André Previn excelled in a diversity of musical genres and idioms. A child prodigy in his native Berlin, he moved to the USA in 1939 and made his early career in Hollywood, winning four Academy Awards. His time as Principal Conductor of the London Symphony Orchestra (1968-1979) established him as a major interpreter of symphonic repertoire, particularly Russian, French and British music - "The very definition of good conducting," wrote Gramophone of his celebrated LSO version of Tchaikovsky's Nutcracker.