Andris Nelsons

The violin concertos of Ludwig van Beethoven and Alban Berg are, on the surface, more different from one another than two compositions could ever probably be. Yet both stand as titans within the violin repertoire and broke incredibly significant new ground. Beethoven's lone Violin Concerto was different than anything that came before it and set the tone for virtually every concerto written after it for nearly a century.

The Summer Night Concert of the Vienna Philharmonic is the world's biggest annual classical open-air concert that takes place in the magical setting of the Schönbrunn Palace Baroque park in Vienna (Concert date: June 16, 2022).

Andris Nelsons and the Gewandhausorchester Leipzig conclude their award-winning Bruckner cycle. Starting in 2017 with Symphony No. 3, the cycle has received countless superlatives and garnered the 2017 Edison Klassiek Award. Each symphony has been considerately paired with music by Wagner. In this final instalment of the cycle, Nelsons complements Symphonies Nos. 1 & 5 with the Prelude and Liebestod from Wagner’s Tristan und Isolde".

The newest addition to Andris Nelsons and the Boston Symphony Orchestra's award-winning survey of Shostakovich's orchestral works takes on symphonies from the opposite ends of the composer's life. Shostakovich's first symphony, composed when he was only 19, announced his presence to the world, while his 15th seemingly grapples with his impending mortality. The Symphony No. 1 in F minor, Op. 10, was written as a graduation piece for his composition class at the Leningrad Conservatory. The composer's youth and the influences of Stravinsky and Prokofiev are evident in the work, but there are plenty of allusions to his later style. Slightly on the slower side overall, the emotion and forward motion of the music is not lost. The Symphony No. 15 in A major, Op. 141, written a few years before the composer's death, though not programmatic, seems to present a look at the cycle of life.

In this latest installment of their acclaimed Shostakovich cycle, Andris Nelsons and the Boston Symphony Orchestra explore the composer’s shifting identity and political convictions under the Soviet regime, tracing with the four symphonies on this album a 35-year span in Shostakovich’s creative and personal evolution: from youthful idealism to mature disillusionment and resignation. The orchestra and its Musical Director are joined by bass-baritone Matthias Goerne who gives an impressive performance of the “Babi Yar” solos in Symphony No. 13. The Tanglewood Festival Chorus (chorus master: James Burton) gives a strong support in the choral parts of Symphonies Nos. 2, 3 and 13, and are joining powers in the mighty Symphony No. 13 with the New England Conservatory Symphonic Choir (chorus master: Erica J. Washburn).

Over the last few years, Andris Nelsons and the Gewandhausorchester have recorded a Bruckner symphony cycle, pairing each work with orchestral music by Wagner. DG now presents their complete Bruckner/Wagner recordings in a 10-CD box and digitally, including Dolby Atmos versions. The set also features the artists’ previously unreleased recordings of Bruckner’s Symphony No. 0 (the so-called “Nullte”) and the overtures to Wagner’s Rienzi and Der fliegende Holländer.

The "Under Stalin's Shadow" subtitle of this release may be confusing inasmuch as the opening Passacaglia from the opera Lady Macbeth of the Mtsensk District dates from before the period when Stalin made Shostakovich's life a living hell, and the main attraction, the Symphony No. 10 in E minor, Op. 93, was finished ten months after Stalin's death. Actually the album is the first in a set of three; the others will cover the symphonies No. 5 through No. 9, all written during the period of Stalinist cultural control. But even here the theme is relevant: the pieces are linked by a dark mood that carries overtones (of a feminist sort in the case of the opera) of repression. And the Symphony No. 10 is decidedly some kind of turning point, with repeated (and finally triumphant) assertions of the D-S-C-H motif (D, E flat, C, B natural in the German system) that would appear frequently in the composer's later work.

Nelsons is the guiding spirit in what is surely, listened to in order, one of the most remarkable musical and spiritual journeys ever conceived.

Das berühmte Neujahrskonzert der Wiener Philharmoniker ist auch 2020 der prachtvolle und exzellente Auftakt zum neuen Klassik-Jahr.Im festlichen und für seinen Klang berühmten Goldenen Saal des Wiener Musikvereins präsentieren die Wiener Philharmoniker ein beschwingtes Programm.Erstmals leitet der lettische Dirigent Andris Nelsons, einer der besten Dirigenten der Welt und bekannt auch als Chef des Gewandhauses Leipzig, die Wiener Philharmoniker, mit denen er seit vielen Jahren eng verbunden ist.Das unterhaltsame Programm enthält bekannte und entdeckenswerte Walzer und Polkas von Johann Strauss Vater und Sohn, Carl Michael Ziehrer, Franz von Suppé, Hans Christian Lumbye und anderen Komponisten.Und das allererste Mal ist bei einem Neujahrskonzert auch Musik von Ludwig van Beethoven zu hören, dessen 250.Geburtstag die Klassik-Welt 2020 feiert.