Universally considered as one of the greatest violinists of our time, Anne-Sophie Mutter’s stunning and multi-faceted music-making extends across masterworks from the full breadth of the violin repertoire. Mutterissimo – The Art of Anne-Sophie Mutter is a selection of highlights from her discography, personally picked by Mutter herself, bringing together recordings that date for the most part from the last twenty years.
Two stars from different generations, artists of the highest calibre, mark their first collaboration with an album devoted to one of the supreme landmarks of classical music.
August 2002 witnessed a celebrity marriage not forecast in the crystal ball of any tabloid columnist; that of youthful, 40-ish violinist Anne-Sophie Mutter to 72-year-old pianist/conductor/composer André Previn. While their union may have set gossips' tongues to wag, in purely musical terms it is a winning combination for the most part. The Violin Concerto "Anne-Sophie" is an André Previn work completed in March 2001 and intended for Mutter.
This 2010 recital by mezzo-soprano Anne Sofie von Otter takes her into repertoire that is relatively new to her: French Baroque opera. The bulk of this disc, on which she is accompanied by William Christie leading Les Arts Florissants, is devoted to extended excerpts from Charpentier's Médée and Rameau's Hippolyte et Aricie. This is obviously repertoire for which she feels a strong affinity, and she throws herself into these roles with her characteristic wholeheartedness. Médée, in particular, is an intensely expressive role, and von Otter's passionate performance, alternatively grief-stricken and furious, is unreserved in her embodiment of the troubled character.
Ce CD ravira les fans de la violoniste prodige (à partir de sa cinquième année) Anne-Sophie Mutter, dont Herbert von Karajan fut le découvreur et le mentor, dès qu'elle atteignit l'âge de 13 ans. D'ailleurs, ce dernier est présent pour un bon nombre des plages de ce disque - à la tête des Berliner Philharmoniker. Mais, il ne faut pas oublier de signaler aussi la présence d'un autre grand de la direction d'orchestre : l'américain James Levine, avec les Wiener Philharmoniker.
Anne-Sophie Mutter has always been a superlative violinist with an imposing sound and technique that command attention. As she has progressed her career she has shown a growing reluctance to restrain her interpretations, and this 2008 Mendelssohn recording is evidence that as she progresses in her now-mature career she is becoming more and more assertive in that direction.