Aops Incorporated

A guide for business leaders working to create socially conscious, sustainable companies—while pursuing profits

Its title notwithstanding, R&B from the Marquee was not a live album, nor was it cut at the Marquee: it was actually done at Decca Records' London studio, albeit in one long day's work and effectively live-in-the-studio. It was also the place where British blues began, at least as a recording proposition. Blues played by Britons had been part of the underground music scene since the mid-'50s, and Blues Incorporated had been a going concern in one form or another, initially guitarist Alexis Korner and harpist/singer Cyril Davies (actually, maybe the first two Britons to play blues); but by this time, the group also included Dick Heckstall-Smith (tenor sax, backing vocals), Keith Scott (piano), Spike Heatley (upright bass), and Graham Burbridge (drums), with Long John Baldry handling some lead vocals. For this record, Big Jim Sullivan also sang backup, and Teddy Wadmore provides a key cameo appearance for the electric bass guitar (then a new and alien instrument in this music).

The prevailing myth is that America's prized possessions and greatest exports are democracy and the dream of freedom. The naked truth, according to Abu-Jamal and Vittoria, is that the American dream is illusory and America's greatest export is in fact murder – and that along the way to the kill, America thieves, suppresses, and tyrannizes. This book strives to set the record straight, to educate, to enlighten and to enliven the people against the corruptions of empire—corruptions that stretch from Columbus's first steps on Hispaniola through yesterday's murderous drone attack. More than a history book, this is a lively, irreverent, and spirited alternative to the orthodoxy of American exceptionalism.