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When considering the "strict" period of neo-prog (i.e., the 1980s), The Wake is definitely a classic. Together with Marillion's first LPs, it helped define what neo-progressive was and generated dozens of sound-alike albums by as many bands in the U.K. and worldwide. While IQ would top The Wake with the 1997 two-CD set Subterranea (stronger compositions, stronger musicianship), the former remains the band's true classic, a must-have for anyone remotely interested in progressive rock from the 1980s. The third album by the band, it took a more pop approach than Tales From the Lush Attic; there was no 20-minute epic track and songs were rather simple in terms of structure.

Nomzamo is the third studio album by British progressive rock band IQ, released in 1987. The album was the first IQ album recorded without lead singer Peter Nicholls, who left the band in 1986 to return in 1990. This reissue includes 3 bonus tracks.

Even IQ's most dedicated fans don't expect the group to top its third-period crowning achievement, Subterranea, but does Dark Matter ever get close! This album makes The Seventh House (IQ's previous album, released three years earlier) appear very, very average. The melodies are catchier and more moving, the writing stronger, the arrangements more varied. The album's strength mostly resides in the 24-minute closing epic, "Harvest of Souls," surely IQ's best epic song, arguably their best song, period. After the oblique meanders of the cluttered "The Narrow Margin" (from Subterranea, that album's weaker point), "Harvest of Souls" offers a much clearer structure, a generous number of memorable themes, and a dark political subtext referring to American politics post-9/11.

1993's blistering return to form finds IQ rediscovering the mojo they displaced after 1985's dark, stark, startlingly brilliant `The Wake', a fact not entirely unconnected to vocalist Peter Nicholls' return to the band. But there is more to it than this. It sounds like the whole band has taken stock after a couple of below-par albums, stopped trying to be something they are not, and asserted the collective personality, sound and approach that has served them well right up to this day.

IQ are a British neo-progressive rock band founded by Mike Holmes and Martin Orford in 1981 following the dissolution of their original band The Lens. Although the band have never enjoyed major commercial success and had several line up changes, IQ have built up a loyal following over the years and are still active as of 2016. In 2011, IQ performed a series of concerts in the UK and Europe celebrating their 30th anniversary.

The Road of Bones is a studio album by the British neo-progressive band IQ, released in 2014. It peaked at number 36 in Germany. It's the first album to feature Neil Durant on keyboards and it marks the return of original members Paul Cook on drums and Tim Esau on bass, the latter appearing on an IQ album for the first time since 1989. IQ are a British neo-progressive rock band founded by Mike Holmes and Martin Orford in 1981 following the dissolution of their original band The Lens. Although the band have never enjoyed major commercial success and had several line up changes, IQ have built up a loyal following over the years and are still active as of 2019, currently with the original recording lineup (with the exception of Orford). In 2011, IQ performed a series of concerts in the UK and Europe celebrating their 30th anniversary.

The Archive Collection: IQ20 is a live album by British progressive rock band IQ released in 2003. The album is the first installment of a series of original bootlegs releases, and was recorded on 16 February 2002 at the Colos-Saal, in Aschaffenburg, Germany, during IQ's 20th anniversary tour. Recorded live in concert from the personal soundboard archives of the band, IQ's 20 is an essential acquisition. This 2 CD package is from the "The Seventh House" tour and contains many of IQ's great songs including a stunning opening into "Awake & Nervous", a great version of "The Wrong Side Of Weird" and a haunting beautiful version of "The Last Human Gateway".

With a career that spans nearly 25 years, IQ remains one of the biggest names in the world of Progressive Rock. Getting their start in Southhampton England back in 1981, IQ was often compared to two other great Prog bands from the UK, Marillion and Genesis. For years the band struggled to create their own identity. And they did so by outlasting the glory days of Fish’s Marillion and Gabriel’s Genesis. Here again is IQ with their classic line-up of Peter Nicholls, Martin Orford, Mike Holmes, John Jowitt and Paul Cook. Originally released in 1989, Are You Sitting Comfortably? features Paul Menel on vocals, coalescing in Britain's foremost prog rock groups since the '80s. There is not a bad track on this album; lush soundscapes, thought provoking lyrics, brilliant musicianship, it's all here. Take a chance on this one, it is a classic and well worth investing in!

‘Ever’ the hugely popular IQ album that saw the return of Peter Nicholls to the fold in the early nineties is now 25 years young! To mark this occasion GEP are releasing a special ‘definitive’ 3 disc edition of the album with a 2018 remix by Mike Holmes. Presented in a 4 panel digipak format with a 40 page booklet, the package includes extra material on the first disc, along with newly recorded live versions of the whole album on disc 2. Disc 3 (DVD) contains a surround sound mix of the studio album plus a surround mix of the live material, along with over 2 hours of ‘further listening’ files comprising album demos, studio outtakes rehearsal tapes and unused ideas. All in all disc 3 contains nearly 4 hours of music. The 40 page booklet is packed with lots of contemporary photos, stories and memories from the time and features contributions from all the band members of 1992.

As progressive rock entered its revival stage in the early '80s, IQ was right in the middle of it. Without any emphasis on one particular instrument, Tales From the Lush Attic is an album that offers a balanced portion of hurried guitar and enveloping keyboards. Specks of prog-era Genesis glisten with every note sung by lead singer Peter Nicholls, who sounds eerily like Peter Gabriel. Even the structure of some of the songs resemble bits of The Lamb Lies Down on Broadway, but there's an air to this album that gathers attention, especially on the synth-ridden passages. Quick interchanges of 12-string guitar and Mellotron create an instrumental seesaw effect, peaking in the longer tracks like the 20-minute "Last Human Gateway" or "The Enemy Smacks."