Archeologia Orvieto

Ferruccio Busoni composed a significant number of works for two pianos throughout his life. While Bach’s pervasive influence is already evident in some of his early compositions including the Preludio e Fuga and Capriccio, it reaches its most complex and glorious expression in the definitive 1921 version of his Fantasia contrappuntistica. In the case of Schumann’s Op. 134 for piano and orchestra, Busoni simply reduced the orchestral part for a second piano. However, his skill as a master transcriber and composer is revealed in his brilliant arrangements of Mozart’s works, which also highlight the subtlety and originality of his style.

Niccolò Castiglioni was one of the most singular figures on the Italian music scene of the latter half of the 20th century. Including world première recordings, Volume 1 of this complete edition reveals the exceptional quality of Castiglioni’s early piano works, the cantabile solemnity found in his exploration of twelve-tone techniques, and the quest for simplicity in later pieces that include the Seconda sonatina discovered among the composer’s papers after his death. The acclaimed pianist Aldo Orvieto has recorded and performed extensively throughout his career and is a specialist in Italian 20th-century repertoire.