Arcobat dc

Despite the fact that the band's best days were obviously behind them, a live album for AC/DC was all but completely necessary. After all, the group's first live release, If You Want Blood You've Got It, was recorded at a time when AC/DC was nothing more than a cult act that had yet to produce many of its future rock staples…

Originally unveiled in December 1975, T.N.T. was the second AC/DC album released in their native Australia, but is often overlooked outside the Land Down Under because its best tracks were later combined with those from the band's first domestic album, High Voltage, for reissue as their international debut from 1976 – also entitled High Voltage…

AC/DC are an Australian rock band, formed in Sydney in 1973 by brothers Malcolm and Angus Young. A hard rock/blues rock band,[2] they have also been considered a heavy metal band, although they have always dubbed their music simply "rock and roll"…

One of the perennial complaints about AC/DC is that they've never changed – and if that's true, High Voltage is the blueprint they've followed all their career. Comprised of highlights from their first two Australian albums – 1975's TNT and its 1976 follow-up, also entitled High Voltage – the album has every single one of AC/DC's archetypes…

AC/DC was fast becoming one of rock's top live acts by the late '70s. Few others could match the band's electrifying live performances: Angus Young's never-ending energy and wise-ass antics, Bon Scott's whiskey-soaked vocals, and the rest of the band's penchant for nailing simple, yet extremely effective and memorable, riffs and grooves…

The first sound on Back in Black is the deep, ominous drone of church bells – or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell…

There's a real sense of menace to "Dirty Deeds Done Dirt Cheap," the title song of AC/DC's third album. More than most of their songs to date, it captured the seething malevolence of Bon Scott, the sense that he reveled in doing bad things, encouraged by the maniacal riffs of Angus and Malcolm Young who provided him with their most brutish rock & roll yet…