One of the myriad of hard rock bands to form during the '80s, Tennessee's Every Mother's Nightmare, despite strong label support, was also one of the bands of the genre to be swept aside by the alternative rock acts of the early '90s. Formed in 1987 by lead singer Rick Ruhl and guitarist Steve Malone, they added bassist Mark McMurtry and drummer Jim Phipps to flesh out their lineup and became a successful draw in the clubs of Nashville and Memphis…
Quite possibly the greatest Larry Young album of the post-Blue Note years – and a massive bit of funk that totally redefines his sound! Larry's working here with his hip group Fuel – an ensemble that features Laura Logan on lead vocals, giving the tunes a real focus through her lyrics – and letting them pack a bit more punch too, since her voice sounds a lot like Betty Davis at the time! Larry's keyboards are forceful, but never too over the top – and he's notched things down a bit to focus on the overall groove of the set – still keeping things adventurous on the keys, but also working in a mode that's much more heavily jazz funk! The album's one of THE essential electric jazz sets of the 70s – and features the classic break cut "Turn Out the Lights" – plus other great tracks that include "Floating", "Fuel for the Fire", "I Ching", "H+J=B (Hustle + Jam = Bread)" and "New York Electric Street Music".
Alan Parsons studied a number of musical instruments in childhood but, like many of his peers, settled on the guitar in his early teens. His job in the late 1960s at the EMI tape duplication facility allowed him access to many classics of the day, including the tape master of The Beatles Sgt. Pepper's Lonely Hearts Club Band (1967), which fired him up to become a recording engineer. He subsequently managed to get work at the Abbey Road Studios and participated in the creation of The Beatles albums Let It Be (1970) and Abbey Road (1969) and the infamous Apple rooftop session. He also went on to work as mix engineer with Paul McCartney and George Harrison after The Beatles split…
Excellent addition to any Jazz-Fusion music collection.
There arent that many acoustic guitarists in the world that I would want to sit and listen to for an entire concert of solo jazz pieces.