This live recording of The Art of Noise is based in the era following the release of "The Seduction of Claude Debussy". As such, it contains much of the narrative threads that tied that album together, but also attempts to weave other Art of Noise favorites (such as "Moments in Love") into the mix.
It might have been more fun to watch on video, to see what was happening onstage, and perhaps to feel more like one of the crowd watching. Without that, we have a concept album that's been chopped up, interspersed with crowd noise, and had a couple of "Greatest Hits" inserted here and there…
There are many apocryphal stories in the classical-music world, but the one in which Frederick the Great challenged Bach to improvise a six-part fugue on a theme of the king's own invention is true, and The Musical Offering was, after a period of further reflection, the result. As with all the works of Bach's later years, the work is both great art and a "teaching piece," which shows everything that he thought could be done with the king's theme. The Trio Sonata based on the theme is the only major piece of chamber music from Bach's last decades in Leipzig, and that makes the work and essential cornerstone of any Bach collection. This performance, led by Neville Marriner, is both polished and lively, and very well recorded. At a "twofer" price, coupled with The Art of Fugue, it's the preferred version of the work on modern instruments.
Remastered from original analogue tapes by Rinaldo Donati at Maxine Studio, Milan. Recorded just a year before he died (June 1982), this superlative release is an essential purchase for all Art Pepper fans and collectors. Recorded live at the Estate Jazz Festival, Genova, Italy on July 6, 'Art of Art' features five selections, four original compositions by Pepper, plus the popular standard "Over The Rainbow" by Harld Arlen. Bebop and the blues are at the forefront of this session, superbly delivered by the leader and his all-star accompanists George Cables, David Williams, and Carl Burnett.
Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields.
Last year saw the launch of the David Munrow Edition on Virgin Veritas (9/96). The series continues with this, arguably Munrow’s most consistent and most polished collection, devoted to the sacred and secular polyphony of the mid-to-late fifteenth century. These recordings remain marvellously fresh and vital – even in the case of pieces that have since had more polished or more clearly recorded interpretations.
“Now I know there is a God in heaven!”, exclaimed Albert Einstein when he heard the young Yehudi Menuhin play the violin. Not only was Menuhin an extraordinary musician, he lived through – and helped to shape – a momentous period in history. The Warner Classics catalog contains 70 years’ worth of his recordings and this 3-CD collection, Yehudi: The Art of Menuhin, provides a fascinating perspective on his achievements: Menuhin was a man of ideals who changed the world through music.