Art Pepper Meetthe Rhythm

Art Pepper with Warne Marsh is an album by alto saxophonist Art Pepper and tenor saxophonist Warne Marsh which was recorded in 1956 but not released on the Contemporary label in Japan until 1986.

Arthur Edward Pepper Jr. (September 1, 1925 – June 15, 1982) was an American jazz musician, most known as an alto saxophonist. He occasionally performed and recorded on tenor saxophone, clarinet (his first instrument) and bass clarinet.

Art Pepper Meets the Rhythm Section is a 1957 jazz album by saxophonist Art Pepper with Red Garland, Paul Chambers, and Philly Joe Jones, who were the rhythm section for Miles Davis's quintet at the time.

Art Pepper Meets The Rhythm Section is the 1957 album by Art Pepper. Originally released by the Contemporary label, this is the 20bit K2 Super Coding CD pressing released by Fantasy Jazz and was limited to 10,000 copies.

1957 famous Pepper session, records with Miles Davis rhythm section, Red Garland, Paul Chambers, Philly Joe Jones.

Gettin' Together is a 1960 jazz album by saxophonist Art Pepper playing with Conte Candoli, Wynton Kelly, Paul Chambers and Jimmy Cobb. The sleeve notes (by Martin Williams) describe the album as "a sort of sequel to the earlier Art Pepper Meets the Rhythm Section" which also featured Miles Davis rhythm section of its time.

Art Pepper Meets the Rhythm Section, originally released in 1957, features Pepper's legendary sessions with the East Coast rhythm section for Miles Davis's quintet. Produced by Lester Koenig and engineered by Roy DuNann, this STEREO edition features all-analog mastering from the original tapes and is pressed on 180-gram vinyl housed in a tip-on jacket.

Album notes don't always tell the whole story. Contemporary president Les Koenig, who rightly felt that Art had yet to record with musicians who were his equal, wanted to take advantage of Miles Davis' quintet being in L.A. But Pepper hadn't been playing for several months, and his horn was in a state of disrepair. To minimize anxiety, the session was kept secret from Art until the last minute. But Pepper always rose to a challenge: he taped to his dried-out cork, arrived for the date, and proceeded to record an album widely considered the most important of his career. This is an all tube recording from the microphones to the tape machine.